Halliwell-Phillipps, James Orchard, the indenture of the poet’s property in Blackfriars in the collection of, [267] n
his edition of Shakespeare, [325] [312]
his great labours on Shakespeare’s biography, [333] [363] [364]
Hamlet: parallelisms in the Electra of Sophocles, the Andromache of Euripides, and the Persæ of Æschylus, [13] n
Polonius’s advice to Laertes borrowed from Lyly’s Euphues, [62] n
allusion to boy-actors, [213] n 2 [214] and n 1 [216]
date of production, [221]
previous popularity of the story on the stage, [221] and n
sources drawn upon by the poet, [221-2]
success of Burbage in the title-part, [222]
the problem of its publication, [222-4]
the three versions, [222-4]
Theobald’s emendations, [224]
its world-wide popularity, [224]
the longest of all the poet’s plays, [224]
the humorous element, [224] [225]
its central interest, [225]
For editions see Section xix. (Bibliography), [301-25]
Hanmer, Sir Thomas, [224]
his edition of Shakespeare, [318]
Harington, Sir John, translates Ariosto, [208]
Harington, Lucy, her marriage to the third Earl of Bedford, [161]
Harness, William, [324]
Harrison, John, publisher of ‘Lucrece,’ [76]
Harsnet, ‘Declaration of Popish Impostures’ by, [241]
Hart family, the, and the poet’s reputed birthplace, [8]
Hart, Joan, Shakespeare’s sister, [8]
his bequest to her, [276]
her three sons, [276] [283]