Richard III: the influence of Marlowe, [63]
materials drawn from Holinshed, [63]
Mr. Swinburne’s criticism, [63]
Burbage’s impersonation of the hero, [63]
published anonymously, [63]
Colley Cibber’s adaptation, [335]
For editions see Section xix. (Bibliography), [301-25]
Richardson, John, one of the sureties for the bond against impediments respecting Shakespeare’s marriage, [20] [22]
Richmond Palace, performances at, [82] [230]
Ristori, Madame, [352]
Roberts, James, printer, [225] [226] [303] [431]
Robinson, Clement, use of the word ‘sonnet’ by, [427] n 2
Roche, Walter, master of Stratford Grammar School, [13]
Rôles, Shakespeare’s: at Greenwich Palace, [43] [44] n 1
in Every Man in his Humour, [44]
in Sejanus, [44]
the Ghost in Hamlet, [44]
‘played some kingly parts in sport,’ [44]
Adam in As You Like It, [44]
Rolfe, Mr. W. J, [325]
Romeo and Juliet, [54]
plot drawn from the Italian, [55]
date of composition, [56]
first printed, [56]
authentic and revised version of 1599, [56]
two choruses in the sonnet form, [84]
satirical allusion to sonnetteering, [108]
For editions see Section xix. (Bibliography), [301-35]