‘Teares of the Muses,’ Spenser’s, referred to in Midsummer Night’s Dream, [80]
Tempest, The: traces of the influence of Ovid, [15] [25] n [43]
the shipwreck akin to a similar scene in Pericles, [244]
probably the latest drama completed by the poet, [251]
and the shipwreck of Sir George Somers’s fleet on the Bermudas, [252]
the source for the plot, [253]
performed at the Princess Elizabeth’s nuptial festivities, [254]
the date of composition, [254] and n
its performance at Whitehall in 1611, [254] n
its lyrics, [255] and n
Ben Jonson’s scornful allusion to, [255]
reflects the poet’s highest imaginative powers, [256]
fanciful interpretations of, [256] [257]
chief characters of, [256] [257] and notes 1 and 2.
For editions see Section xix. (Bibliography), [301-325]
Temple Grafton, [23] [24] and n
‘Temple Shakespeare, The,’ [325]
Tercentenary festival, the Shakespeare, [334]
‘Terrors of the Night,’ piracy of, [88] n
nocturnal habits of ‘familiars’ described in, [135] n
Terry, Miss Ellen, [339]
Theatre, The, at Shoreditch, [32]
owned by James Burbage, [33] [36]
Shakespeare at, between 1595 and 1599, [37]
demolished, and the Globe Theatre built with the materials, [37]
Theatres in London: Blackfriars (q.v.)
Curtain (q.v.)
Duke’s, [295]
Fortune, [212] [233] n 1
Globe (q.v.)
Newington Butts, [37]
Red Bull, [31] n 2
Rose (q.v.)
Swan, [38] n 2
The Theatre, Shoreditch (q.v.)
Theobald, Lewis, his emendations of Hamlet, [224]
publishes a play alleged to be by Shakespeare, [258]
his criticism of Pope, [316]
his edition of the poet’s works, [316] [317]