But the dramatist's main energies are devoted to exposure of the hollowness of this counsel of perfection. Temptations to vice beset rulers of men to a degree that is unknown to their subjects. To avarice rulers are especially prone. Stanchless avarice constantly converts kings of ordinary clay into monsters. How often they forge
Quarrels unjust against the good and loyal,
Destroying them for wealth.
(Macbeth, IV., iii., 83-4.)
Intemperance in all things—in business and pleasure—is a standing menace of monarchs.
Boundless intemperance
In Nature is a tyranny: it hath been
Th' untimely emptying of the happy throne
And fail of many kings.
(Macbeth, IV., iii., 66-9.)
A leader of men, if he be capable of salvation, must "delight no less in truth than life." Yet "truth," for the most part, is banished from the conventional environment of royalty.
Repeatedly does Shakespeare bring into dazzling relief the irony which governs the being of kings. Want of logic and defiance of ethical principle underlie their pride in magnificent ceremonial and pageantry. The ironic contrast between the pretensions of a king and the actual limits of human destiny is a text which Shakespeare repeatedly clothes in golden language.
It is to be admitted that nearly all the kings in Shakespeare's gallery frankly acknowledge the make-believe and unreality which dogs regal pomp and ceremony. In self-communion they acknowledge the ruler's difficulty in finding truth in their traditional scope of life. In a great outburst on the night before Agincourt, Henry V.—the only king whom Shakespeare seems thoroughly to admire—openly describes the inevitable confusion between fact and fiction which infects the conditions of royalty. Anxiety and unhappiness are so entwined with ceremonial display as to deprive the king of the reliefs and recreations which freely lie at the disposal of ordinary men.
What infinite heart's-ease
Must kings neglect that private men enjoy!
And what have kings that privates have not too,
Save ceremony, save general ceremony?
And what art thou, thou idol ceremony?
What kind of god art thou, that suffer'st more
Of mortal griefs than do thy worshippers?
What are thy rents? what are thy comings-in?
O ceremony, show me but thy worth!
What is thy soul of adoration?
Art thou aught else but place, degree, and form,
Creating awe and fear in other men?
Wherein thou art less happy being fear'd
Than they in fearing.
What drink'st thou oft, instead of homage sweet,
But poison'd flattery? O, be sick, great greatness,
And bid thy ceremony give thee cure!
Think'st thou the fiery fever will go out
With titles blown from adulation?
Will it give place to flexure and low bending?
Canst thou, when thou command'st the beggar's knee,
Command the health of it? No, thou proud dream
That play'st so subtly with a king's repose:
I am a king that find thee; and I know
'Tis not the balm, the sceptre, and the ball,
The sword, the mace, the crown imperial,
The intertissued robe of gold and pearl,
The farced title running 'fore the king,
The throne he sits on, nor the tide of pomp
That beats upon the high shore of this world,—
No, not all these, thrice gorgeous ceremony,
Not all these, laid in bed majestical,
Can sleep so soundly as the wretched slave
Who, with a body fill'd and vacant mind
Gets him to rest, cramm'd with distressful bread.
(Henry V., IV., i., 253-287.)
Barely distinguishable is the sentiment which finds expression in the pathetic speech of Henry V.'s father when he vainly seeks that sleep which thousands of his poorest subjects enjoy. The sleepless king points to the irony of reclining on the kingly couch beneath canopies of costly state when sleep refuses to weigh his eyelids down or steep his senses in forgetfulness. The king is credited with control of every comfort; but he is denied by nature comforts which she places freely at command of the humblest. So again does Richard II. soliloquize on the vain pride which imbues the king, while death all the time grins at his pomp and keeps his own court within the hollow crown that rounds the prince's mortal temples. Yet again, to identical effect is Henry VI.'s sorrowful question:—
Gives not the hawthorn-bush a sweeter shade,
To shepherds looking on their silly sheep,
Than doth a rich-embroidered canopy
To kings that fear their subjects' treachery?
(III. Henry VI., II., v., 42-5.)