Aspects of Shakespeare's Philosophy
| [I.] | The Conflicting Attitudes of Bacon and Shakespeare to Formal Philosophy | [142] |
| [II.] | Shakespeare's "Natural" Philosophy. Concealment of his Personality in his Plays | [148] |
| [III.] | His Lofty Conception of Public Virtue. Frequency of his Denunciation of Royal "Ceremony" | [152] |
| [IV.] | The Duty of Obedience to Authority | [161] |
| [V.] | The Moral Atmosphere of Shakespearean Drama | [164] |
| [VI.] | Shakespeare's Insistence on the Freedom of the Will | [166] |
| [VII.] | His Humour and Optimism | [169] |
[VIII]
Shakespeare and Patriotism
| [I.] | The Natural Instinct of Patriotism. Dangers of Excess and Defect | [170] |
| [II.] | An Attempt to Co-ordinate Shakespeare's Detached Illustrations of the Working of Patriotic Sentiment. His Ridicule of Bellicose Ecstasy. Coriolanus illustrates the Danger of Disavowing Patriotism | [172] |
| [III.] | Criticism of One's Fellow-countrymen Consistent with Patriotism. Shakespeare on the Political History of England. The Country's Dependence on the Command of the Sea. The Respect Due to a Nation's Traditions and Experience | [179] |
| [IV.] | Shakespeare's Exposure of Social Foibles and Errors | [184] |
| [V.] | Relevance of Shakespeare's Doctrine of Patriotism to Current Affairs | [187] |
[IX]
A Peril of Shakespearean Research
| [I.] | An Alleged Meeting of Peele, Ben Jonson, Alleyn, and Shakespeare at "The Globe" in 1600 | [188] |
| [II.] | The Fabrication by George Steevens in 1763 of a Letter signed "G. Peel" | [190] |
| [III.] | Popular Acceptance of the Forgery. Its Unchallenged Circulation through the Eighteenth, Nineteenth, and Twentieth Centuries | [194] |