No wise man vaunts in the name of patriotism his own nation's superiority over another. The typical patriot, Henry V., once makes the common boast that one Englishman is equal to three Frenchmen, but he apologises for the brag as soon as it is out of his mouth. (He fears the air of France has demoralised him.)
Elsewhere Shakespeare utters a vivacious warning against the patriot's exclusive claim for his country of natural advantages, which all the world shares substantially alike.
Hath Britain all the sun that shines? Day, night,
Are they not but in Britain? I' the world's volume
Our Britain seems as of it, but not in 't;
In a great pool, a swan's nest: prithee, think
There's livers out of Britain.[36]
It is not the wild hunger for war, but the stable interests of peace that are finally subserved in the Shakespearean world by true and well-regulated patriotism. Henry V., the play of Shakespeare which shows the genuine patriotic instinct in its most energetic guise, ends with a powerful appeal to France and England, traditional foes, to cherish "neighbourhood and Christianlike accord," so that never again should "war advance his bleeding sword 'twixt England and fair France."
However whole-heartedly Shakespeare rebukes the excesses and illogical pretensions to which the lack of moral or intellectual discipline exposes patriotism, he reserves his austerest censure for the disavowal of the patriotic instinct altogether. One of the greatest of his plays is practically a diagnosis of the perils which follow in the train of a wilful abnegation of the normal instinct. In Coriolanus Shakespeare depicts the career of a man who thinks that he can, by virtue of inordinate self-confidence and belief in his personal superiority over the rest of his countrymen, safely abjure and defy the common patriotic instinct, which, after all, keeps the State in being. "I'll never," says Coriolanus,
"Be such a gosling to obey instinct, but stand
As if a man were author of himself,
And knew no other kin."[37]
Coriolanus deliberately suppresses the patriotic instinct, and, with greater consistency than others who have at times followed his example, joins the fighting ranks of his country's enemies by way of illustrating his sincerity. His action proves to be in conflict with the elementary condition of social equilibrium. The subversion of the natural instinct is brought to the logical issues of sin and death. Domestic ties are rudely severed. The crime of treason is risked with an insolence that is fatal to the transgressor. With relentless logic does the Shakespearean drama condemn defiance of the natural instinct of patriotism.
[III]
It does not, however, follow that the patriotic instinct of the Shakespearean gospel encourages blind adoration of state or country. Intelligent citizens of the Shakespearean world are never prohibited from honestly criticising the acts or aspirations of their fellows, and from seeking to change them when they honestly think they can be changed for the better. It is not the business of a discerning patriot to sing pæans in his nation's honour. His final aim is to help his country to realise the highest ideals of social and political conduct which are known to him, and to ensure for her the best possible "reputation through the world." Criticism conceived in a patriotic spirit should be constant and unflagging. The true patriot speaks out as boldly when he thinks the nation errs as when, in his opinion, she adds new laurels to her crown. The Shakespearean patriot applies a rigorous judgment to all conditions of his environment—both social and political.
Throughout the English history plays Shakespeare bears convincing testimony to the right, and even to the duty, of the patriot to exercise in all seriousness his best powers of criticism on the political conduct of his fellow-citizens and of those who rule over him.