The arch of all the niches is surmounted with a very lofty and magnificent representation, in bas-relievo, of a grand pyramidal temple, on a small scale, though superior in size, and far more so in execution, to those at Lóro Jóngran or at Bóro Bódo. Beyond these niches to the angles of the building, are a series of pilasters, rising to the cornice, which surmounts the whole face of each projecting vestibule. In the centre, just at the point of each niche, is a gorgon head of the usual aspect, which is surrounded by the lofty temples just described.
The exterior sides of the vestibules occupy an extent of eleven feet and a half, in the centre of which is a niche, much larger and deeper than those in the front, being about six feet high and two wide, and one deep in the clear, supported on either side by a real Hindu pilaster, already described, and the top of the niche surmounted with the gorgon head and pyramidal temple, equally well known by description. Each of these niches was formerly occupied with solid statues, I imagine of Gopia. On either side of these single niches are the same series of terminating pilasters (three in number), which occur also on the fronts of the vestibules, of which the centre one is a very magnificent running arabesque, from top to bottom; the two others are plain without any variation.
A very fine coat of stucco, of excellent quality, covers the whole exterior surface of the temple, and is made so to follow the most minute and laboured strokes of skill on the stone underneath it, as even considerably to add to their effect, particularly in concealing the junction of the stones. The walls are surmounted with a deep projecting double cornice. No principal image was found in the temple or vestibules.
REMAINS OF AN ANCIENT HALL OF AUDIENCE, &c. AT KÁLI BÉNING.
The temple which I have just described stands close to the north side of the village of Káli Béning, east of which is the river of that name; and as I had never before heard of any thing further in this quarter, I fancied my work was over. I was, however, most agreeably surprised, on being told by my Javan guides that there was something more to be seen directly south of the village behind us. We accordingly passed through it, and barely one hundred and fifty yards from the temple, in a high sugar-cane and palma christi plantation, we came suddenly on two pair of very magnificent gigantic porters, all facing eastwards, each having stood about twelve feet from the others. The pedestals of all these statues are nearly covered, or rather entirely sunk into the ground. The height of each figure, from the top of the pedestal, is five feet one inch and a half, and breadth at the shoulders three feet six inches. They are generally much better executed, defined, and consequently more marked and striking in their appearance, than those I had seen. The countenance is much more marked and expressive, the nose more prominent and pointed, the eyebrows meeting in a formidable frown. The hair flows all round and down the back in large ringlets and curls, and on the ankles, instead of beads, are the small circular bells common in India, under the name of googoor. These figures are called Gopolo. Behind the second pair of porters, or west of them, is a heap of ruins of brick and mortar, which proved on examination to be the remains of an ancient hall of audience or state, originally standing on fourteen pillars, with a verandah all round it standing on twenty-two pillars. The porters guarded this building exactly in the centre of its eastern front: the nearest pair scarcely thirty feet distant from it. The greatest length of the building was east and west. The inner apartment over all gave forty-seven feet in length, including the pillars: the width of the hall was twenty-eight feet and a half in the same way. A verandah, of twelve feet and a half wide all round over the pillars, surrounded the hall.
It struck me forcibly, that the house at Káli Sári was formerly the residence of some great Hindu Raja of Java; the superb temple at Káli Béning, the place of his devotions and prayers; this hall, a little south of it, that of state or audience, perhaps also of recreation after his devotions. Other ruins of brick-work, without any mixture of stone, were close by, and perhaps served as out-houses.
BÓRO BÓDO.
In the district of Bóro, in the province of Kedú, and near to the confluence of the rivers Elo and Prága, crowning a small hill, stands the temple of Bóro Bódo[210], supposed by some to have been built in the sixth, and by others in the tenth century of the Javan era. It is a square stone building consisting of seven ranges of walls, each range decreasing as you ascend, till the building terminates in a kind of dome. It occupies the whole of the upper part of a conical hill, which appears to have been cut away so as to receive the walls, and to accommodate itself to the figure of the whole structure. At the centre, resting on the very apex of the hill, is the dome before mentioned, of about fifty feet diameter; and in its present ruinous state, the upper part having fallen in, only about twenty feet high. This is surrounded by a triple circle of towers, in number seventy-two, each occupied by an image looking outwards, and all connected by a stone casing of the hill, which externally has the appearance of a roof.
Descending from thence, you pass on each side of the building by steps through five handsome gateways, conducting to five successive terraces, which surround the hill on every side. The walls which support these terraces are covered with the richest sculpture on both sides, but more particularly on the side which forms an interior wall to the terrace below, and are raised so as to form a parapet on the other side. In the exterior of these parapets, at equal distances, are niches, each containing a naked figure sitting cross-legged, and considerably larger than life[211]; the total number of which is not far short of four hundred. Above each niche is a little spire, another above each of the sides of the niche, and another upon the parapet between the sides of the neighbouring niches. The design is regular; the architectural and sculptural ornaments are profuse. The bas-reliefs represent a variety of scenes, apparently mythological, and executed with considerable taste and skill. The whole area occupied by this noble building is about six hundred and twenty feet either way.
The exterior line of the ground-plan, though apparently a perfect square when viewed at a distance, is not exactly of that form, as the centre of each face, to a considerable extent, projects many feet, and so as to cover as much ground as the conical shape of the hill will admit: the same form is observed in each of the terraces.