The military chiefs, essentially either soldiers or robbers, were continually fighting, either against each other, or against the peasantry, or public officers of the paramount power, like the barons of Europe; and that paramount power, or its delegates, often found that the easiest way to crush one of these refractory vassals was to put him, as such men had been put in Germany, to the ban of the empire, and offer his lands, his castles, and his wealth to the victor. This victor brought his own clansmen to occupy the lands and castles of the vanquished; and, as these were the only things thought worth living for, the change commonly involved the utter destruction of the former occupants. The new possessors gave the name of their leader, their clan, or their former place of abode, to their new possession, and the tract of country over which they spread. Thus were founded the Bundēlas, Pawārs, and Chandēls [sic] upon the ruin of the Chandēls of Bundēlkhand, the Baghēlas in Baghēlkhand, or Rīwā, the Kachhwāhās, the Sakarwārs, and others along the Chambal river, and throughout all parts of India.[13]

These classes have never learnt anything, or considered anything worth learning, but the use of the sword; and a Rājpūt chief, next to leading a gang of his own on great enterprises, delights in nothing so much as having a gang or two under his patronage for little ones.

There is hardly a single chief of the Hindoo military class in the Bundēlkhand or Gwālior territories, who does not keep a gang of robbers of some kind or other, and consider it as a very valuable and legitimate source of revenue; or who would not embrace with cordiality the leader of a gang of assassins by profession who should bring him home from every expedition a good horse, a good sword, or a valuable pair of shawls, taken from their victims. It is much the same in the kingdom of Oudh, where the lands are for the most part held by the same Hindoo military classes, who are in a continual state of war with each other, or with the Government authorities. Three-fourths of the recruits for native infantry regiments are from this class of military agriculturists of Oudh, who have been trained up in this school of contest; and many of the lads, when they enter our ranks, are found to have marks of the cold steel upon their persons. A braver set of men is hardly anywhere to be found; or one trained up with finer feelings of devotion towards the power whose salt they eat.[14] A good many of the other fourth of the recruits for our native infantry are drawn from among the Ujainī Rājpūts, or Rājpūts from Ujain,[15] who were established many generations ago in the same manner at Bhōjpur on the bank of the Ganges.[16]

Notes:

1. A purōhit is a Brahman family priest.

2. Four hundred thousand rupees, worth at that time more than forty thousand pounds sterling.

3. The magistrate was the author.

4. 'That' in author's text.

5. The water of the Ganges, with which the image of the god Vishnu has been washed, is considered a very holy draught, fit for princes. That with which the image of the god Siva, alias Mahādēo, is washed must not be drunk. The popular belief is that in a dispute between him and his wife, Pārvatī, alias Kālī, she cursed the person that should thenceforward dare to drink of the water that flowed over his images on earth. The river Ganges is supposed to flow from the top-knot of Siva's head, and no one would drink of it after this curse, were it not that the sacred stream is supposed to come first from the heel of Vishnu, the Preserver. All the little images of Siva, that are made out of stones taken from the bed of the Nerbudda river, are supposed to be absolved from this curse, and water thrown upon them can be drunk with impunity. [W. H. S.] The natural emblems of Siva, the Bāna-linga quartz pebbles found in the Nerbudda, have already been referred to in the note to Chapter 19, ante, note 9. In the Marāthā country the 'household gods' generally comprise five sacred symbols, namely, the sālagrāma stone of Vishnu, the bāna-linga of Siva, a metallic stone representing the female principle in nature (Sakti), a crystal representing the sun, and a red stone representing Ganesh, the remover of obstacles. The details of the tiresome ritual observed in the worship of these objects occupy pp. 412 to 416 of Monier Williams's Religious Thought and Life in India.

6. 'Beearee' in author's text.