If ever you have looked on better days,
If ever been where bells have knolled to church,
If ever sat at any good man's feast,
If ever from your eyelids wiped a tear,
And know what 'tis to pity and be pitied,
Let gentleness my strong enforcement be:
In the which hope I blush, and hide my sword.
So speaks Orlando when the Duke has met his threats with fair words; and he adds an apology:
Pardon me, I pray you;
I thought that all things had been savage here,
And therefore put I on the countenance
Of stern commandment.
The ultimate law between man and man, according to Shakespeare, is the law of pity. I suppose that most of us have had our ears so dulled by early familiarity with Portia's famous speech, which we probably knew by heart long before we were fit to understand it, that the heavenly quality of it, equal to almost anything in the New Testament, is obscured and lost. There is no remedy but to read it again; to remember that it was conceived in passion; and to notice how the meaning is raised and perfected as line follows line:
Portia. Then must the Jew be merciful.
Shylock. On what compulsion must I? Tell me that.
Portia. The quality of mercy is not strained.
It droppeth as the gentle rain from heaven
Upon the place beneath; it is twice bless'd;
It blesseth him that gives and him that takes:
'Tis mightiest in the mightiest; it becomes
The throned monarch better than his crown.
His sceptre shows the force of temporal power,
The attribute to awe and majesty,
Wherein doth sit the dread and fear of kings;
But mercy is above this sceptred sway,
It is enthroned in the hearts of kings,
It is an attribute to God himself,
And earthly power doth then show likest God's
When mercy seasons justice. Therefore, Jew,
Though justice be thy plea, consider this,
That in the course of justice none of us
Should see salvation: we do pray for mercy,
And that same prayer doth teach us all to render
The deeds of mercy.
That speech rises above the strife of nations; it belongs to humanity. But an Englishman wrote it; and the author, we may be sure, if he ever met with the doctrine that a man who is called on to help his own people is in duty bound to set aside the claims of humanity, and to stop his ears to the call of mercy, knew that the doctrine is an invention of the devil, stupid and angry, as the devil commonly is. There are hundreds of thousands of Englishmen who, though they could not have written the speech, yet know all that it teaches, and act on the knowledge. It is part of the creed of the Navy. We can speak more confidently than we could have spoken three or four years ago. We know that not the extremest pressure of circumstance could ever bring the people of England to forget all the natural pieties, to permit official duties to annul private charities, and to join in the frenzied dance of hate and lust which leads to the mouth of the pit.
Yet Germany, where all this seems to have happened, was not very long ago a country where it was easy to find humanity, and simplicity, and kindness. It was a country of quiet industry and content, the home of fairy stories, which Shakespeare himself would have loved. The Germans of our day have made a religion of war and terror, and have used commerce as a means for the treacherous destruction of the independence and freedom of others. They were not always like that. In the fifteenth century they spread the art of printing through Europe, for the service of man, by the method of peaceful penetration. My friend Mr. John Sampson recently expressed to me a hope that our air-forces would not bomb Mainz, 'for Mainz', he said, 'is a sacred place to the bibliographer'. According to a statement published in Cologne in 1499, 'the highly valuable art of printing was invented first of all in Germany at Mainz on the Rhine. And it is a great honour to the German nation that such ingenious men are to be found among them….And in the year of our Lord 1450 it was a golden year, and they began to print, and the first book they printed was the Bible in Latin: it was printed in a large character, resembling the types with which the present mass-books are printed.' Gutenberg, the printer of this Bible, never mentions his own name, and the only personal note we have of his, in the colophon of the Catholicon, printed in 1460, is a hymn in praise of his city: 'With the aid of the Most High, who unlooses the tongues of infants and oft-times reveals to babes that which is hidden from learned men, this admirable book, the Catholicon, was finished in the year of the incarnation of our Saviour MCCCCLX, in the foster town of Mainz, a town of the famous German nation, which God in his clemency, by granting to it this high illumination of the mind, has preferred before the other nations of the world.'
There is something not quite unlike modern Germany in that; and yet these older activities of the Germans make a strange contrast with their work to-day. It was in the city of Cologne that Caxton first made acquaintance with his craft. Everywhere the Germans spread printing like a new religion, adapting it to existing conditions. In Bavaria they used the skill of the wood-engravers, and at Augsburg, Ulm, and Nuremberg produced the first illustrated printed books. It was two Germans of the old school, Conrad Sweynheym and Arnold Pannartz, who carried the art to Italy, casting the first type in Roman characters, and printing editions of the classics, first in the Benedictine monastery of St. Scholastica at Subiaco, and later at Rome. They also cast the first Greek type. It was three Germans, Gering, Kranz, and Freyburger, who first printed at Paris, in 1470. It was a German who set up the first printing-press in Spain, in 1474. The Germans were once the cherishers, as now they are the destroyers, of the inheritance of civilization. I do not pretend to explain the change. Perhaps it is a tragedy of education. That is a dangerous moment in the life of a child when he begins to be uneasily aware that he is valued for his simplicity and innocence. Then he resolves to break with the past, to put away childish things, to forgo affection, and to earn respect by imitating the activities of his elders. The strange power of words and the virtues of abstract thought begin to fascinate him. He loses touch with the things of sense, and ceases to speak as a child. If his first attempts at argument and dogma win him praise and esteem, if he proves himself a better fighter than an older boy next door, who has often bullied him, and if at the same time he comes into money, he is on the road to ruin. His very simplicity is a snare to him. 'What a fool I was', he thinks, 'to let myself be put upon; I now see that I am a great philosopher and a splendid soldier, born to subdue others rather than to agree with them, and entitled to a chief share in all the luxuries of the world. It is for me to say what is good and true, and if any of these people contradict me I shall knock them down.' He suits his behaviour to his new conception of himself, and is soon hated by all the neighbours. Then he turns bitter. These people, he thinks, are all in a plot against him. They must be blind to goodness and beauty, or why do they dislike him! His rage reaches the point of madness; he stabs and poisons the villagers, and burns down their houses. We are still waiting to see what will become of him.