Ferber, after his visit to America, had failed to induce the French authorities to purchase the Wright aeroplane, which he had never seen, but which, from descriptions and photographs, he was able to reconstruct, much as a geologist reconstructs an animal from fossil bones. The refusal of the French Government to purchase and the withdrawal of the Wrights from their public experiments gave France a period of respite for two years, during which time French aviation rapidly developed on lines of its own. At the back of this movement was M. Archdeacon, who as early as 1903 had established a fund and had offered a cup as a prize for the first officially recorded flight of more than twenty-five metres. The Voisin brothers, Gabriel and Charles, having set up their factory at Billancourt-sur-Seine, built machines for him, box-kites and aeroplanes. After a time the Voisin brothers went into business on their own account, and employed M. Colliex as their engineer. Their earliest customers, Léon Delagrange, who had been trained as a sculptor, and Henri Farman, who had combined the professions of cyclist, painter, and motor-racer, were distinguished early French flyers. That both these men had been artists seems to bear out the favourite contention of Wilbur Wright and of Captain Ferber. To be an artist a man must create or initiate; the accumulation of knowledge will do little for him. A politician or a lawyer can reach to high distinction in his profession without the power of initiating anything. It is enough for him to handle other men's ideas, to combine them and balance them, to study and conciliate other men, and to suggest a compromise. But the artist, like the scientific discoverer, must act on his own ideas, and do battle, single-handed, with the nature of things.
The earliest experiments of M. Archdeacon and the Voisins were made with man-carrying Hargrave box-kites, or with gliders made on the same principle, which were towed in the air behind a fast motor-boat travelling down the Seine. The next step was to fit an aeroplane with an engine and wheels so that it might attempt to rise from the ground. The Voisins collaborated with most of the early French aviators, with Louis Blériot and Robert Esnault-Pelterie, as well as with Farman and Delagrange. At one time they were closely associated with Blériot, at another time with Farman. Their first machines depended for lateral stability on the vertical panels of the box-kite structure. This was insufficient, and the French designers had to grapple, one by one, with all the difficulties that had been met and conquered by the Wrights. They had this advantage, that the design of the Wrights' machine was, though not exactly, yet in its main features known to them. All the early aeroplanes which mounted their elevators in front of the machine may, without much doubt, be affiliated to the Wrights. The elevator is not best placed in front; its action in that position is too quick and violent, but it is under the eye of the operator, and with cool nerves he can learn to work it.
While the group of enthusiasts who gathered round the Voisins were designing and experimenting, Santos Dumont, having turned his attention to machines heavier than air, suddenly appeared among them, made the first successful flight over French soil, and carried off the Archdeacon prize. His machine was a biplane, built on the box-kite principle, with three vertical panels on each side between the planes, and a box-kite elevator projecting far in front. The wings were fixed at a considerable dihedral angle, and the engine was a twenty-four horse-power Antoinette. In his first trial, which took place at Bagatelle on the 23rd of July 1906, Santos Dumont attached a spindle-shaped balloon to the upper surface of the machine, to help it into the air. The combination of the two modes he soon found to be impossible; with the balloon attached to it the machine could not develop speed enough to support itself in the air. His next step was to practise the machine by running it down an inclined cable; then he discarded as much weight as he could, doubled the horse-power of the motor, and began to taxi freely along the ground. On a day in September the machine raised itself for a very short space into the air. The first officially witnessed flight, of about eighty yards, took place on the 23rd of October 1906, and gained the Archdeacon Cup. About a month later he made a flight of more than a furlong. Thereafter he established himself at Saint-Cyr and developed a machine of the monoplane type, with a long tail. But he was too far from the resources of Paris, and when, on the 13th of January 1908, Henri Farman overtook his records and won the Deutsch-Archdeacon prize for a flight of one kilometre in a closed circuit, Santos Dumont lost his leading position in the world of aviation, after a brief and meteoric career which has stamped his name on history.
During these early years the Voisin brothers had the foresight and wisdom to put themselves wholly at the service of others. The promise of flight had taken hold of many minds in France and there was no lack of inventors and would-be inventors who wished to test their own ideas and to have machines built to their own designs. If the Voisins had refused to gratify them, these clients would have disappeared; and the work done for them, though much of it was done in the old blind alleys of horizontal elevating airscrews and wing-flapping machines, yet had this advantage, that it kept the workshop active and made it self-supporting. Inventors are a difficult and jealous people; they received every indulgence from the Voisins. The machines built for them were named after them, though most of the skill and experience that went to the making came from the factory. In the same way M. Archdeacon gave up all practical experiment after 1905 and was content to play the part of the good genius of aviation, presiding at the Aero Club, offering prizes for new achievements, bringing inventors together and encouraging the exchange of ideas. The rapidity of French progress was not a little due to this self-effacing and social instinct, so characteristic of the French spirit, which kept the patron and the engineers in the background, and brought order and progress out of the chaos of personal rivalry.
Progress was slow at first. The experiments made in 1906 by Blériot in conjunction with the Voisins were made, for safety, on the water of the Lake of Enghien, but it proved impossible to get up sufficient speed on the water to rise into the air. In 1907 a greater success attended the experiments made at Vincennes, at Bagatelle, and at Issy-les-Moulineaux, where Henri Farman had obtained permission to use the army manœuvre ground and had built himself a hangar, or shed, for his aeroplane. On the 30th of March, at Bagatelle, the Delagrange aeroplane made a flight of sixty metres. A few months later, Farman, on a similar machine fitted with landing-wheels which worked on pivots, like castors, began to make short flights. On the 30th of September he flew for eighty metres. Seeing is believing, but many of those who saw Farman fly did not believe. The machine, they said, was only hopping into the air with the speed it had gathered on the ground; it would never fly. When, on the 26th of October, Farman made a flight of more than seven hundred metres the pessimists found another objection. The machine, they said, would never be able to turn; it could only continue in a straight line. They had hit on a real difficulty, but the Voisins and Farman himself, who, starting without any knowledge of aeroplanes or flying, had soon developed practical ideas of his own, were hard at work to meet it. The Wrights had simplified the handling of a machine by combining the control of the vertical rudder with the control of the wing-warping. In the early Voisin machines there was no wing-warping, and the pilots had to attempt to balance and turn the machine without it; but a rod with a wheel attached to it was used to control both the elevating plane in front and the vertical rudder behind. By turning the wheel the rudder was operated, by moving the rod the elevator was raised or lowered. It was on a machine of this kind that Farman began to practise gradual turning movements. The lateral inclination of the machine was feared and, as much as possible, avoided in these first experiments, though it is not only harmless in turning movements, but is necessary for their complete success, just as the banking of a motor race-track is necessary to keep the machines on the course. Farman made rapid progress; and, as has been said, by the beginning of 1908 he gained the two thousand pound Deutsch-Archdeacon prize for a closed circuit of one kilometre in length. The wonderful skill of this achievement will be fully appreciated only by the best modern pilots, who would not like to be asked to repeat it on a machine unprovided with ailerons (that is to say, hinged flaps on the trailing edge of the planes), and controlled only by the elevator and the rudder. There is nothing very extravagant in dating the conquest of the air, as some French writers have dated it, from the circular flights of Farman. It is true that the Wrights had attained a much higher skill in manœuvring, but they had retired, like Achilles, to their tent, whereas Farman's flight showed the way to many others. In the spring of the same year Delagrange began to execute turning flights; on the 6th of July Farman gained the prize offered by M. Armengaud, the president of the society of aerial navigation, for a flight of a quarter of an hour's duration, and after the arrival of Wilbur Wright at Le Mans progress became so rapid that records were broken week by week and almost day by day. In January 1909 the Aero Club of France issued their first list of pilots' certificates. Eight names, all famous, made up the list—Léon Delagrange, Alberto Santos Dumont, Robert Esnault-Pelterie, Henri Farman, Wilbur Wright, Orville Wright, Captain Ferdinand Ferber, Louis Blériot. To make this a list of the chief French pioneers, the names of the Wrights would have to be omitted, and the names of some who were not famous pilots but who did much for flying, especially the names of M. Ernest Archdeacon and Gabriel Voisin, would have to be included.
These men, and those who worked for them, gave to France her own school of aviation. Louis Blériot and Robert Esnault-Pelterie broke away from what, since the days of Francis Wenham, had been accepted as the orthodox doctrine of the biplane, and, taking the bird for master, devised swift, light, and easily handled monoplanes. The Blériot monoplane, which first flew the Channel; the R.E.P. (or Robert Esnault-Pelterie) monoplane; the Antoinette monoplane, on which Hubert Latham performed his exploits; the small and swift Demoiselle monoplane, designed and flown by Santos Dumont; and the Tellier monoplane, which for a time held the record for cross-country flight—all these made history by their performances in the crowded years from 1908 to 1910. The monoplane is, without any doubt, the prettiest of machines in the air. When Captain Ferber gave this reason to Mr. Chanute for preferring it to the biplane, Mr. Chanute, he says, laughed a good deal at an argument so characteristically French. But there is sense and weight in the argument. No flying animal is half so ugly as the early Wright biplane. In the world of natural fliers beauty and efficiency are one. Purity of line and economy of parts are beautiful and efficient. A good illustration of this may be found in the question of the airscrew. The early French biplanes of the Voisin and Farman type were what would now be called 'pusher' machines; their airscrews operated behind the main planes, and their tails were supported by an open structure of wood or metal which left room for the play of the screw. In this ugly arrangement the loss of efficiency is easy to see. The screw works in a disturbed medium, and the complicated metal-work presents a large resistance to the passage of the machine through the air. The monoplane, from the first, was a 'tractor' machine; its airscrew was in front of the planes, and its body, or fuselage, was covered in and streamlined, so as to offer the least possible resistance to the air. A later difficulty caused by the forward position of the airscrew had nothing to do with flying. When the war came, and machine-guns were mounted on aeroplanes, a clear field was needed for forward firing. This difficulty was ultimately met by the invention of a synchronizing gear, which timed the bullets between the strokes of the airscrew-blades. In all but a few types of machine the airscrew is now retained in the forward position. The debate between monoplane and biplane is not yet concluded; the biplane holds its own because with the same area of supporting surface it is much stronger and more compact than the monoplane.
Instead of wing-warping, which puts a strain on the supporting surfaces and is liable to distort them, the French (to whom Blériot is believed to have shown the way) introduced ailerons, that is, small subsidiary hinged planes attached to the extremities of the wings. By controlling these, one up and the other down, in conjunction with the rudder, the pilot can preserve his lateral balance, and turn the machine to right or left. Later on, these ailerons, when they were borrowed by the Voisin and Farman biplanes, were not fitted to the extremities of the planes, but became hinged flaps forming the extreme section of the trailing edge; and this position they have kept in all modern aeroplanes. An even greater advance was made by the French school in its device for the control of the machine. The machine which Wilbur Wright flew in France was controlled by two upright levers, grasped by the pilot, one in either hand. The left-hand lever moved only backwards and forwards; it controlled the elevator and directed the machine upwards or downwards. The right-hand lever controlled the rudder and the warping of the wings. By moving it backwards or forwards the pilot turned the machine to right or left; by moving it sideways he warped the wings. There is nothing instinctive or natural in these correspondences; the backward and forward movement which in one lever spells up and down in the other spells right and left. It is a testimony to the extraordinary cool-headed skill of the Wrights, and to their endless practice and perseverance, that they were able to fly such a machine in safety, and to outfly their rivals. The French school centralized the control in a single lever with a universal joint attachment at the lower end. The movements of this lever in any direction produced the effects that would instinctively be expected; a backward or forward movement turned the machine upwards or downwards, a sideways movement raised one wing or the other so as to bank the machine or to bring it to a level position again. The vertical rudder was controlled either by a wheel attached to this central lever, or by the pressure of the pilot's feet on a horizontal bar. The French moreover improved the means of taking off and alighting. The early Wright machines were launched on rails, and alighted on skids attached to the machine like the skids of a sledge. To rise into the air again after a forced landing was impossible without special apparatus. By means of wheels elastically fixed to an undercarriage the French inventors made the aeroplane available for cross-country journeys. But the greatest difference between the two types of aeroplane, the American and the French, was their difference in stability. The Wright machine demanded everything of the pilot; it could not fly itself. If the pilot relaxed his attention for a moment, or took his hands from the levers, a crash was the certain result. The machine was a bird which flew with extended bill and without a tail; whereas the French machines had a horizontal tail-plane, which, being held rigidly at a distance from the main planes, gave to the machine a far greater measure of longitudinal stability.
All these advantages told in favour of French aviation, and secured for it progress and achievement.
A few dates and facts may serve to show its rapid progress at a time when it was making history week by week. On the 30th of September 1908 Henri Farman made the first cross-country flight, from Châlons to Rheims, a distance of twenty-seven kilometres, which he covered in twenty minutes. Three days later, at Châlons, he remained in the air for just under three-quarters of an hour, covering twenty-five miles, that is, about forty times the distance that had won him the Deutsch-Archdeacon prize in January. Between April and September of the same year Léon Delagrange had four times in succession raised the world's official records (which, of course, took no note of the Wrights) for duration of flight. On the 31st of October Louis Blériot made the first cross-country circuit flight, from Toury to Artenay and back, a distance of about seventeen miles, in the course of which flight he twice landed and rose again into the air. All these and many similar achievements were dwarfed by Wilbur Wright's performance at the Hunaudières racecourse near Le Mans. His first flight, on Saturday the 8th of August, lasted one minute and forty-seven seconds. Three days later, though he flew for only four minutes, the figures of eight and other manœuvres which he executed in the air caused M. Delagrange, who witnessed them, to remark, 'Eh bien. Nous n'existons pas. Nous sommes battus.' On the last day of the year he flew for two hours and twenty minutes, covering seventy-seven miles. In the intervening time he had beaten the French records for duration, distance, and height. Cross-country work he did not attempt; his machine at that time was ill-fitted for it. During the winter he went to Pau to instruct his first three pupils—the Count de Lambert and MM. Paul Tissandier and Alfred Leblanc.
At the beginning of the year 1909 the mystery and craft of flying was still known only to the few. In the two years that followed it was divulged to the many, and became a public spectacle. The age of the designers was followed by the age of the performers. Flying machines and men who could fly them rapidly increased in number. A man working in a laboratory on difficult and uncertain experiments cannot engage or retain the attention of the public; a flying man, who circles over a city or flies across great tracts of populated country, is visible to all, and, when he is first seen, excites a frenzy of popular enthusiasm. These years were the years of competition and adventure, of races, and of record-breaking in distance, speed, duration, and height. Flying was the newest sport; and the aviator, whose courage, coolness, and skill carried him through great dangers, was the hero of the day. The press, with its ready instinct for profitable publicity, offered magnificent encouragement to the new art. Large money prizes were won by gallant deeds that have made history. The Daily Mail, of London, offered a prize of a thousand pounds for the first flight across the English Channel. Hubert Latham, in his Antoinette monoplane, attempted this flight on the 19th of July from the neighbourhood of Calais, but the failure of his sparking plugs brought him down on to the water about six miles from the French coast, where he was picked up by his accompanying destroyer. He was preparing another attempt when Louis Blériot, suddenly arriving at Calais, anticipated him. At half-past four on the morning of Sunday, the 25th of July, Blériot rose into the air on his monoplane, furnished with an Anzani engine of twenty-five horse-power, and headed for Dover. He flew without map or compass, and soon out-distanced the French destroyer which had been appointed to escort him. For ten minutes he lost sight of all land, but he corrected his course by observing the steamers below him, and landed in the Northfall meadow behind Dover Castle after a flight of forty minutes. Two other newspaper prizes, one of ten thousand pounds offered by the London Daily Mail for a flight from London to Manchester, in three stages, the other of ten thousand dollars offered by the New York World for a flight from Albany to New York, were won in 1910. The first of these flights was attempted on the 24th of April by an Englishman, Claude Grahame-White, who flew a Farman biplane, but was compelled by engine trouble to descend near Lichfield, where his machine was damaged by wind in the night. Three days later Louis Paulhan, also mounted on a Farman biplane, covered the whole distance to Manchester in something over four hours, with only one landing. Paulhan had first learned to fly in July 1909; Grahame-White had obtained his pilot's certificate from the French Aero Club as late as December 1909. The flight of a hundred and twenty miles from Albany to New York, down the Hudson river, was achieved on the 29th of May in two hours and thirty-two minutes by Glenn H. Curtiss, one of the most distinguished of American pioneers. Later on in 1910 a prize of a hundred thousand francs was offered by the Paris newspaper, the Matin, for what was called the Circuit de l'Est, a voyage from Paris and back by way of Troyes, Nancy, Mézières, Douai, and Amiens, a distance of four hundred and eighty-eight miles, to be completed in six stages, on alternate days, from the 7th of August to the 17th of August. This competition was won by Wilbur Wright's pupil, Alfred Leblanc, on a Blériot monoplane. The eastern part of this circuit, a territory not much larger than Yorkshire, has since been made famous and sacred by the battles of the Marne and Verdun and a hundred other places.