The Religion of Ancient Scandinavia

by Sir William A. Craigie

This contrasting of Thor with Christ is a trait which appears in other narratives, and is significant of the place which the god held in the old religion. In the struggle between heathenism and Christianity in the Scandinavian countries it is usually Thor, the red-bearded one, who is the champion of the primitive faith and its most powerful representative. The cases in which Odin takes this place have a much more legendary character, and are more likely to be due to later invention. It was Thor whom the believers in the old faith expressly put forward as a rival to the God of the Christians. In the early part of the eleventh century, when King Olaf Haraldsson was doing his utmost to christianise Norway, the following words are represented as having been spoken by a powerful chief named Gudbrand: 'There is come hither a man named Olaf to offer us another faith than the one we had, and to break all our gods in pieces, and he says that he has a greater and mightier god. It is a marvel that the earth does not open under him when he dares to say such things, and that our gods let him go any further. I expect, if we carry Thor out of our temple where he stands, and where he has always stood by us, that as soon as he looks on Olaf and his men, then his god and himself and his men will melt away and come to nought.' So also when Thangbrand the priest went to Iceland on his missionary enterprise in 997, he met a woman who preached heathendom to him at great length, and asked him, 'Have you not heard that Thor challenged Christ to single combat, and He dared not fight with Thor?' When Thangbrand's ship was destroyed by a violent storm, it was to Thor that the credit of the accident was assigned.

The firm hold which Thor had upon the minds of his worshippers is also illustrated by the way in which some of the converts to Christianity felt uneasy at abandoning him. Thorgils of Flói, in the south-west of Iceland, was one of the first to accept the new faith, and more than once he dreamed that Thor came to him with reproaches and threats for this desertion. Thorgils was firm, and defied the angry god, but his later perils at sea were believed by his companions to be the work of Thor, and some of them even wished to sacrifice to him for a fair wind, saying that people had fared much better when they made offerings to him.

The prominent place held by the worship of Thor in the old religion is also indicated by the frequent mention of images of the god in various temples (as will appear in a later chapter); this fact acquires special significance when contrasted with the lack of similar statements regarding Odin. It is also extremely probable that it was Thor, and not Odin, to whom the vague names of 'Land-god' (Land-áss) and 'The Almighty God' were given; the latter was used, coupled with the names of Frey and Njörd, in an old oath-formula.

Having thus made the position of Thor among the Scandinavian gods as clear as the evidence admits of, it remains to show what manner of god his worshippers supposed him to be. On this point there is unfortunately less direct evidence than could be wished. In origin Thor was the thunder-god, and it is therefore natural to find him spoken of as 'the strongest of all the gods.' His weapon, the thunderbolt, was imagined as a hammer, mythologically known by the name of Mjölnir, and was especially used by him to protect the gods and men against giants and other evil monsters. To grasp it with he had iron gloves, and he was also possessed of a girdle of might which increased his strength twofold. In his journeys, of which the mythological writers have a good deal to say, he sometimes rode in a chariot drawn by two goats. Of these details there is very little trace in historical sources, although one passage (of doubtful value) speaks of an image of Thor seated in his chariot. The hammer, however, was certainly the distinctive symbol of the god, and representations of it were evidently in common use as sacred and protective marks. Not only is it frequently cut on stone monuments, but small figures of it were apparently used as amulets, of which a number have been found in Denmark and Sweden. When the Danish prince Magnus returned from an expedition into the heathen districts of Sweden in 1123, he brought back with him as trophies some Thor's hammers of metal. It is not clear how far such models of the hammer were used in religious ceremonies; that it was employed at weddings 'to hallow the bride' appears to be highly probable, but there is no direct historical evidence to prove it.

The form in which the hammer was commonly represented easily led to its association with the Christian mark of the cross. At a festival held in Norway in 952, Earl Sigurd dedicated the first toast to Odin, and after drinking from the horn handed it to King Hákon, who was a Christian. When the king took it, he made the mark of the cross over it. The heathens present protested against this, and Earl Sigurd attempted to satisfy them by saying, 'The king does like all those who trust to their own might and strength, and consecrate their toast to Thor. He made the mark of the hammer over it before he drank.'

The relationship of Thor to Odin, and the precise position of the latter among the Scandinavian gods, must now be more closely considered. In the sermon by Ælfric already cited there is an interesting remark bearing on this, in these words: 'Now the Danes in their delusion say that Jove, whom they call Thor, was the son of Mercury, whom they call Odin, but they are not right in this' (i.e. according to Roman mythology).[2] Ælfric's statement is in perfect accordance with the old Scandinavian myths, which represent Thor as the son of Odin and Earth, a relationship also attested by various poetical designations of the god. This is not at all what the historical evidence would lead us to expect, but the mythological account of Odin presents a still more striking contrast to what has been brought forward above as to the position of Thor. 'Odin,' says Snorri, 'is the highest and eldest of the gods; he rules over all things, and for as mighty as the other gods are, they all serve him as children do their father.... Odin is called All-father, because he is the father of all the gods.'

It is indeed quite clear that the whole mythological system expounded by Snorri, and implied in all the old Scandinavian poetry, centres on the idea of Odin as the supreme god. As such he has two important sides to his nature. On the one hand he is a war-god, who assigns victory or defeat to men, and who takes the slain warriors to live with himself in Valhall; 'he is also called Val-father, because all those who fall in battle are his chosen sons: to them he gives places in Valhall and Vingolf,' says Snorri. On the other hand he is a god of wisdom and cunning, knowing all things, and a god of poetry whom the skalds regard as the author of their art. So far as the historical evidence is strong enough to prove anything regarding Odin, it indicates that a belief in both of those aspects was really a part of the old religion. We have already seen that Adam of Bremen describes Odin as the war-god among the Swedes, and Snorri also says that the Swedes thought he often appeared to them before great battles; 'to some he gave victory, and some he invited to himself, and either lot was thought good.' This association of Odin with war, and the assignation to him of all those who were slain in battle, are very prominent in the mythical sagas, which may be accepted as representing a genuine tradition in this respect, however much the details may be due to later invention. In these sagas one also finds the connection of Odin with death by hanging, which appears in some of his poetic names, and must be regarded as a real belief.

The purely historical evidence is, however, very limited. Perhaps the only mention of an actual offering to Odin is that found in the account of Earl Hákon's doings after he had, under compulsion, accepted Christianity in Denmark in 975. On leaving that country, he sailed round to the east coast of Sweden, landed there, and made a great sacrifice. 'Then two ravens came flying and croaked loudly, and the earl thought it certain that Odin had accepted the sacrifice, and that he would have success in fighting.' It is very probable, however, that sacrifices to this god were more common among the Danes and Swedes than among the Norwegians, and that this may account for the lack of reference to them in the Icelandic writings.

That the belief in Valhall was a real one is clearly shown by one or two passages in the sagas. King Hákon the Good had been a Christian, though latterly he had not made his religion prominent, in order to avoid offending his heathen subjects. When he was killed in battle in 961, he was laid in the grave-mound with all his weapons and best array. 'They made such speeches at his burying as it was the custom of heathen men to make, and sent him off on the way to Valhall.' A poem on Hákon's death and his reception by Odin in Valhall, which was composed at the time by one of his skalds, gives a very fine expression to the belief, which is also the leading theme in an earlier poem on the death of King Eirík in 954. Even some who had not been killed in battle were apparently thought of as going to Odin in Valhall, if the passage in the saga of Gísli may be relied upon, in which Thorgrím is represented as saying, 'It is the custom to tie hell-shoes on men when they shall go to Valhall, and I will do that with Véstein' (who had been murdered in his bed). There is also a reference to the belief in Njál's saga, in the words of Högni, 'I intend to take the halbert to my father' (Gunnarr, who had been killed shortly before this), 'and let him have it to Valhall and bear it there at the weapon-thing.' The same saga also represents Earl Hákon in Norway, when he found his temple burned down, as saying, 'The man who has done this will be driven away from Valhall, and never get entrance there.' It is doubtful, however, whether much weight can be given to these passages. The old practice of beginning a battle by throwing a spear over the enemy is in some of the mythical sagas explained as a dedication of them to Odin, and it is possible that this idea may be correct.