It is natural enough for a stranger to be dazzled with the splendor of our Oriental plantations; upon a cursory inspection, to conclude them too vast, too magnificent, too expensive for European imitation; and that, in your part of the world, the greatest princes should not be indulged with such articles of luxury, calculated, as they seem, to exhaust their treasures, waste their lands, rob and oppress their subjects: but a more attentive examination will probably give birth to more favourable opinions, and serve to prove, that not only your princes, but even your private gentlemen, may emulate us in this particular very safely; and that our style of Gardening may be adopted amongst you, even in its whole extent, without being attended with any of the inconveniences just now recited.
It is not the fence that constitutes the Garden; Cobham, Stourton, Blenheim, would still be what they are, though the pales or walls by which they are enclosed were taken away: neither is privacy necessary to the essence of a Garden; for Richmond and Kew are surely the same, when open to all the world, as when they are only accessible to the Royal Family; nor is useful or profitable culture incompatible with the idea, either of our Chinese, or your English Gardening.
Any tract of land, therefore, whose characteristick expressions have been strengthened by art, and in which the spontaneous arrangements of nature have been corrected, improved and adorned by the hand of taste, ought to be considered as a Garden, though only fenced with common hedges, and although the roads or paths passing through it be publick, and the grounds of which it is composed cultivated to the utmost advantage.
There remains then no obstacle to your rivalling the Chinese, either in the grandeur or extent of their Gardens: in which, you seem to fix, the insuperable difficulties of the imitation; since you have parks, forests, manors and royalties, some even in private hands, more extensive than is necessary; and since these may be so improved, and converted into gardens upon the plan now mentioned, without waste of land, without invasion of property, without annoyance or seclusion of the public, and certainly with less damage or expence to the owner, than are usually incurred in the article of your common Gardening; as no chargeable keeping or fencing would be necessary, no grounds unprofitably employed, no considerable assistance from art wanted: for the features of real nature, being in themselves generally more perfect, as well as greater than the finest imitations, require very few helps; seldom any that are expensive.
Every artist, therefore, who has the fortune to meet with patrons of large possessions, and liberal sentiments, may give full scope to his imagination, and boldly apply whatever he has seen, heard, or his own fancy may have suggested, that is great, extraordinary, or surprising: instead of confining his views to a few acres, to form a trifling composition, scarcely superior to the desert at a festival; and which, insignificant as it would be, none but the healthful and vigorous could ever see; he may convert a whole province into a Garden; where the spectator, instead of toiling on foot, as usual, to see a few nothings, and performing more revolutions than a horse in a mill, may wander over a whole country at his ease, in ships or in barges, in carriages or on horse-back, feasting the sight with scenes of the boldest dimensions, and contemplating the luxuriant varied productions of Nature, improved and nobly enriched by Art.
And permit me to say, that Gardens of this sort, would not only be more magnificent, but also much more beautiful and perfect in every respect, than any even amongst the best of your artificial performances. In the great style of Gardening, neatness is not only superfluous, but destructive of the principal intent: the common roads, bridleways and paths, of a country, however wild, are always preferable to the stiff, formal, made walks of a Garden; they are, in themselves, grander, more natural, and may, with a very little assistance; a few accompanyments, be made as commodious, as rich, as varied, and as pleasant.
Fields covered with corn, turneps, beans, potatoes, hemp, or productions of a similar nature; meadows, pasture lands, hop grounds, orchards, and other parts of English culture; interwoven with common hedges, or blended with accidental plantations, require little, if any assistance from Art, to be more picturesque than lawns the most curiously dotted with clumps; and villages, country churches, farm-houses or cottages, when placed with judgement, and designed with taste, enrich and adorn a landscape as well as more expensive structures.
The rivers of Nature flow in forms that Art can never equal: their natural modifications, particularly in mountainous places, are sufficiently numerous; a little management heightens or diminishes all their expressions, varies their appearances, and adapts them to scenes of any character: their banks are soon adorned, even in the richest manner; for roses, a thousand other shrubs, and most perennial flowers, will grow as easily, and with as little culture, as primroses and briars do. A few of these, a little planting properly employed, and blended with rural buildings, bridges, ruins, monumental urns, and other trifling decorations, spread over the whole an appearance that equals, even surpasses the most elaborate cultivation.
In every large tract of land, there generally are some places abundantly supplied with water, which often flows through uncouth marshy bottoms of little use or value to the owner: by raising heads at their extremities, these are easily overflowed; and lakes of very considerable dimensions may thus be obtained, often without much trouble, always with great advantages, as well in point of profit as of pleasure; and wherever it may be necessary to dig, in order to give a proper depth to the water, the earth may be raised into islands of various shapes, which serve to complicate the forms, to enrich and beautify the scenery.