In some of the few arts practised by the women there is much more dexterity displayed, particularly in that important branch of a housewife's business, sewing, which, even with their own clumsy needles of bone, they perform with extraordinary neatness. They had, however, several steel needles of a three-cornered shape, which they kept in a very convenient case, consisting of a strip of leather passed through a hollow bone, and having its ends remaining out, so that the needles which are stuck into it may be drawn in and out at pleasure. These cases were sometimes ornamented by cutting; and several thimbles of leather, one of which, in sewing, is worn on the first finger, are usually attached to it, together with a bunch of narrow spoons and other small articles liable to be lost. The thread they use is the sinew of the reindeer (tooktoo =ew=all~o~o), or, when they cannot procure this, the swallow-pipe of the neiliek. This may be split into threads of different sizes, according to the nature of their work, and is certainly a most admirable material. This, together with any other articles of a similar kind, they keep in little bags, which are sometimes made of the skin of birds' feet, disposed with the claws downward in a very neat and tasteful manner. In sewing, the point of the needle is entered and drawn through in a direction towards the body, and not from it or towards one side, as with our seamstresses. They sew the deerskins with a "round seam," and the water-tight boots and shoes are "stitched." The latter is performed in a very adroit and efficacious manner, by putting the needle only half through the substance of one part of the sealskin, so as to leave no hole for admitting the water. In cutting out the clothes, the women do it after one regular and uniform pattern, which probably descends unaltered from generation to generation. The skin of the deer's head is always made to form the apex of the hood, while that of the neck and shoulders comes down the back of the jacket; and so of every other part of the animal which is appropriated to its particular portion of the dress. To soften the sealskins of which the boots, shoes, and mittens are made, the women chew them for an hour or two together and the young girls are often seen employed in thus preparing the materials for their mothers. The covering of the canoes is a part of the women's business, in which good workmanship is especially necessary to render the whole smooth and water-tight. The skins, which are those of the neitiek only, are prepared by scraping off the hair and the fleshy parts with an ooloo, and stretching them out tight on a frame, in which state they are left over the lamps or in the sun for several days to dry; and after this they are well chewed by the women to make them fit for working. The dressing of leather and of skins in the hair, is an art which the women have brought to no inconsiderable degree of perfection. They perform this by first cleansing the skin from as much of the fat and fleshy matter as the ooloo will take off, and then rubbing it hard for several hours with a blunt scraper, called si=ak~o~ot, so as nearly to dry it. It is then put into a vessel containing urine, and left to steep a couple of days, after which a drying completes the process. Skins dressed in the hair are, however, not always thus steeped; the women, instead of this, chewing them for hours together till they are quite soft and clean. Some of the leather thus dressed looked nearly as well as ours, and the hair was as firmly fixed to the pelt; but there was in this respect a very great difference, according to the art or attention of the housewife. Dyeing is an art wholly unknown to them. The women are very expert at platting, which is usually done with three threads of sinew; if greater strength is required, several of these are twisted slackly together, as in the bowstrings. The quickness with which some of the women plat is really surprising; and it is well that they do so, for the quantity required for the bows alone would otherwise occupy half the year in completing it.
It may be supposed that, among so cheerful a people as the Esquimaux, there are many games or sports practised; indeed, it was rarely that we visited their habitations without seeing some engaged in them. One of these our gentlemen saw at Winter Island, on an occasion when most of the men were absent from the huts on a sealing excursion, and in this Iligliuk was the chief performer. Being requested to amuse them in this way, she suddenly unbound her hair, platted it, tied both ends together to keep it out of her way, and then stepping out into the middle of the hut, began to make the most hideous faces that can be conceived, by drawing both lips into her mouth, poking forward her chin, squinting frightfully, occasionally shutting one eye, and moving her head from side to side as if her neck had been dislocated. This exhibition, which they call =ay=ok~it-t=ak-poke, and which is evidently considered an accomplishment that few of them possess in perfection, distorts every feature in the most horrible manner imaginable, and would, I think, put our most skilful horse-collar grinners quite out of countenance.
The next performance consists in looking steadfastly and gravely forward, and repeating the words t~ab=ak-tabak, k~eib=o-keibo, k~e-b=ang-~e-n=u-t~o-~e~ek, kebang-enutoeek, ~am=at~am=a-amatama, in the order in which they are here placed, but each at least four times, and always by a peculiar modulation of the voice, speaking them in pairs as they are coupled above. The sound is made to proceed from the throat in a way much resembling ventriloquism, to which art it is indeed an approach. After the last amatama Iligliuk always pointed with her finger towards her body, and pronounced the word angetkook, steadily retaining her gravity for five or six seconds, and then bursting into a loud laugh, in which she was joined by all the rest. The women sometimes produce a much more guttural and unnatural sound, repeating principally the word =ikk~er~ee-ikkeree, coupling them as before, and staring in such a manner as to make their eyes appear ready to burst out of their sockets with the exertion. Two or more of them will sometimes stand up face to face, and with great quickness and regularity respond to each other, keeping such exact time that the sound appears to come from one throat instead of several. Very few of the females are possessed of this accomplishment, which is called pitkoo-she-r=ak-poke, and it is not uncommon to see several of the younger females practising it. A third part of the game, distinguished by the word keit=ik-poke, consists only in falling on each knee alternately—a piece of agility which they perform with tolerable quickness, considering the bulky and awkward nature of their dress.
The last kind of individual exhibition was still performed by Iligliuk, to whom in this, as in almost everything else, the other women tacitly acknowledged their inferiority, by quietly giving place to her on every occasion. She now once more came forward, and letting her arms hang down loosely and bending her body very much forward, shook herself with, extreme violence, as if her whole frame had been strongly convulsed, uttering at the same time, in a wild tone of voice, some of the unnatural sounds before mentioned.
This being at an end, a new exhibition was commenced, in which ten or twelve women took a part, and which our gentlemen compared to blind-man's buff. A circle being formed, and a boy despatched to look out at the door of the hut, Iligliuk, still the principal actress, placed herself in the centre, and after making a variety of guttural noises for about half a minute, shut her eyes and ran about till she had taken hold of one of the others, whose business it then became to take her station in the centre, so that almost every woman in her turn occupied this post; and in her own peculiar way, either by distortion of countenance or other gestures, performed her part in the game. This continued three quarters of an hour; and, from the precaution of placing a look-out, who was withdrawn when it was over, as well as from some very expressive signs which need not here be mentioned, there is reason to believe that it is usually followed by certain indecencies, with which their husbands are not to be acquainted. Kaoongut was present, indeed, on this occasion, but his age seemed to render him a privileged person; besides which, his own wife did not join in the game.
The most common amusement, however, and to which their husbands made no objection, they performed at Winter Island expressly for our gratification. The females being collected to the number of ten or twelve, stood in as large a circle as the hut would admit, with Okotook in the centre. He began by a sort of half howling, half singing noise, which appeared as if designed to call the attention of the women, the latter soon commencing the Amna Aya song hereafter described. This they continued without variety, remaining quite still while Okotook walked round within the circle; his body was rather bent forward, his eyes sometimes closed, his arms constantly moving up and down, and now and then hoarsely vociferating a word or two, as if to increase the animation of the singers, who, whenever he did this, quitted the chorus and rose into the words of the song. At the end of ten minutes they all left off at once, and after one minute's interval commenced a second act precisely similar and of equal duration; Okotook continuing to invoke their muse as before. A third act, which followed this, varied only in his frequently, towards the close, throwing his feet up before and clapping his hands together, by which exertion he was thrown into a violent perspiration. He then retired, desiring a young man (who, as we were informed, was the only individual of several then present thus qualified) to take his place in the centre as master of the ceremonies, when the same antics as before were again gone through. After this description it will scarcely be necessary to remark, that nothing can be poorer in its way than this tedious singing recreation, which, as well as everything in which dancing is concerned, they express by the word m~om=ek-poke. They seem, however, to take great delight in it; and even a number of men, as well as all the children, crept into the hut by degrees to peep at the performance.
The Esquimaux women and children often amuse themselves with a game not unlike our "skip-rope." This is performed by two women holding the ends of a line, and whirling it regularly round and round, while a third jumps over it in the middle, according to the following order. She commences by jumping twice on both feet, then alternately with the right and left, and next four times with the feet slipped one behind the other, the rope passing once round at each jump. After this she performs a circle on the ground, jumping about half a dozen times in the course of it, which bringing her to her original position, the same thing is repeated as often as it can be done without entangling the line. One or two of the women performed this with considerable agility and adroitness, considering the clumsiness of their boots and jackets, and seemed to pride themselves, in some degree, on the qualification. A second kind of this game consists in two women holding a long rope by its ends, and whirling it round in such a manner, over the heads of two others standing close together near the middle of the bight, that each of these shall jump over it alternately. The art, therefore, which is indeed considerable, depends more on those whirling the rope than on the jumpers, who are, however, obliged to keep exact time, in order to be ready for the rope passing under their feet.
The whole of these people, but especially the women, are fond of music, both vocal and instrumental. Some of them might be said to be passionately so, removing their hair from off their ears, and bending their heads forward, as if to catch the sounds more distinctly, whenever we amused them in this manner. Their own music is entirely vocal, unless, indeed, the drum and tambarine before mentioned be considered an exception.
The voices of the women are soft and feminine, and, when singing with the men, are pitched an octave higher than theirs. They have most of them so far good ears, that, in whatever key a song is commenced by one of them, the rest will always join in perfect unison. After singing for ten minutes, the key had usually fallen a full semitone. Only two of them, of whom Iligliuk was one, could catch the tune as pitched by an instrument, which made it difficult with most of them to complete the writing of the notes; for if they once left off they were sure to recommence in some other key, though a flute or violin was playing at the time.