This pre-eminence of the central mass is the key-note of Mont Blanc scenery. Moreover the mountain is not merely pre-eminent in altitude, but in volume and simplicity of form. Its upper part is a great white dome, whereas the buttress-peaks are for the most part rocky pinnacles. The contrast between these slender, jagged supports and the reposeful majesty of the Calotte is a most picturesque feature and a very rare one, not repeated, so far as I remember, in any other part of the Alps. It dominates the scenery of the whole district. No doubt within the district there are views of great beauty and considerable comprehension, where Mont Blanc forms no part—such, for example, as the Montenvers view up the Mer de Glace—but the characteristic prospects contain Mont Blanc as their central and most important object. This is specially true of all the views from summits, a quality that distinguishes them from summit-views in other districts. Whatever Aiguille you stand upon, and whatever may have been the character of the scenery passed through on the way up, the moment you arrive upon the top, Mont Blanc assumes the predominance and all else takes second rank. The ordinary summit-view, the wide world over, is a panorama, in which the uninterrupted roving of the vision round the whole circuit is the chief charm. From a minor summit in the Mont Blanc region, the great mountain shuts out a large fraction of the distant panorama and attracts chief attention to itself. Of the other conspicuous beauties of this district, its glorious ice scenery, its astonishingly precipitous crags and slender needle-peaks, we shall take occasion to speak hereafter. In this place it is only the dominant note of each locality that calls for brief description.
From Mont Blanc we naturally pass to Monte Rosa and the Matterhorn. The fact that the two peaks call for co-ordinate attention, at once marks the dispersion of interest characteristic of the Pennine Alps. Indeed not two but nearly a dozen mountains in that group are of almost equal importance, each having votaries who prefer it to the rest. The Matterhorn, of course, is in its own way pre-eminent, if seen from certain points of view; but, when beheld from other summits around, it does not maintain an appearance of leadership. Monte Rosa from Macugnaga, the Dom and Täschhorn from Saas, the Weisshorn from north or east, the Dent Blanche from the Triftjoch, are objects as imposing each in its own way as is the Matterhorn from Zermatt or the Riffelalp. That peak, as we shall hereafter take occasion to observe in more detail, surpasses them, and perhaps all the rock mountains in the world, in grace of outline from certain points of view. It likewise rejoices in a rare prestige, due to its tragic history and its geographical position. But to those who know it from all sides, and know its neighbours also, it is not the unique and dominating mountain of its district that it is popularly supposed to be. The Zermatt mountain area is probably best to be differentiated from the other great Alpine groups by the almost uniform magnificence and relative equality of its chief peaks. It resembles some splendid Venetian oligarchy as contrasted with monarchical Mont Blanc. The nobles of the Pennine Court with their satellites present greater variety, a more elaborate organisation, and a more varied historical record. Each seems worthy to be chief when beheld from a selected vantage point. Seen from elsewhere, each subordinates itself to some other. This is the region of large independent glaciers, of deep recesses, of noble passes from place to place. It is also specially rich in minor points of view about 10,000 feet high, and of good sites for hotels some 3,000 feet lower, where each possesses a specially fine outlook of its own, which it shares with no other. The dominant note of the district is grandeur; if it lacks anything, it is charm. This, in fact, is a stalwart group, which must be wandered over and inspected from many sides and along many routes. No "centre" reveals it. It is a place for walkers and climbers in the heyday of their vigour.
Turn we next to the Bernese Oberland, the queen district, if Mont Blanc is the king. The Oberland has always seemed to me to be the most graceful and romantic of the great Alpine masses. The very names of its peaks enshrine the poetry that the peasant-dwellers on their flanks learned from them in days long gone by. The Maiden, the Monk, the Ogre, the peak of Terror, and what not. And then how richly they roll off the tongue—Finsteraarhorn, Lauteraarhorn, Blümlisalp, Strahleck! No other part of Switzerland can rival the Oberland for names—certainly not Zermatt with its Meadow-peak, Red-peak, Broad-peak, Black-peak, White-tooth, and the like feeble designations. Easily first for beauty and prestige among Oberland mountains is the peerless Jungfrau—but you must only see her from the north. Thence she is beheld, a most effulgent beauty, fair among the fairest mountain visions upon earth. The elegance of her form, displayed and emphasised by the white samite of her drapery, and beheld from the lake at her foot, abides in the memory of all who are privileged to behold her. Only one rival does she possess in the district, and that is not a mountain but a glacier, the Great Aletsch, greatest of all in the Alps, beautiful exceedingly to look down upon, beautiful in its middle course, and fairest of all in the wide expanses of its ample gathering ground. It subordinates to itself all the high surrounding peaks and renders them the mere rim of its cup. To a less degree magnificent, yet far finer than the general run of Alpine glaciers, are the other chief ice-rivers of the Oberland district, which thus becomes par excellence the home of long glacier-passes, leading through great varieties of mountain scenery, and connecting centres relatively remote. The longest and finest glacier-traverse in the Alps is that which leads from the Grimsel to the Lötschen valley right through the heart of the range.
LOOKING DOWN THE ALETSCH GLACIER FROM CONCORDIA HUT
Eggishorn peak dark.
Dauphiny, compared with the Pennines and the Oberland, presents to one sensitive to mountain character more contrasts than similarities. For this is an austere region, which gathers itself up together and stands apart, away from natural through routes and the ordinary courses of the human tide. Its valleys are deep, sombre, and stony; its alpine pastures meagre; its forests few and thin. Its peaks hide themselves behind their own knees. He that would know them must search them out. But they reward the search. It is because of the steepness of their bases that they are so recondite, and that very steepness gives them a dignified character all their own. The Meije is their typical representative, a mountain of strangely complex sky-line and irregular shape, that supports its own private glaciers cut-off upon cliffs, and presents the climber with surprises round every corner. Few are the regular pyramids, fewer still the domed snow caps in the tangled complexity of this region, where Nature has impressed her chisel deeply, and has hewn out the great rock masses with unusual ruggedness.
Very different is the remote Engadine group, remarkable for the high level and broad expanse of the floor of its chief valley, where lake beyond lake reflects the summer sunshine and carries the white curtain of winter on its level frozen surface. A region, this, of fine forests and large expanses of rich grazing grounds, of picturesque torrents and smiling flower-strewn slopes. Its snowy group is little more than an appendage of minor importance to the general scenic attractions of the district. Two fine mountain cirques, defining the basins of two picturesque glaciers, are its dominant features, and in each cirque one peak shines forth pre-eminent. The scenery of these cirques, however, is not of any special character that calls for mention as distinguishing it from the scenery of the other great Alpine groups. The note of the Engadine is not sounded there, but rather in the wide, lake-strewn valley itself, where the snow-crests count mainly as the silvery embellishment of its frame.
ASCONIA—ON LAGO MAGGIORE