When working in the Valley of the Ancre region, coming home in the evening, we would bring the car down to the water near Aveluy. It is a long stretch of water, and the Tommies had put up a springboard. It was a joy to take off one's clothes in the car and jump into the cool water and watch all these wonderful young men stripping, diving, swimming, drying and dressing in the evening sun, all full of life and health. At one period, Joffroy, a very good French artist, who had lost a leg, right up to his trunk, early in the War, used to swim there with me. He had been a great athlete, and had a very strong arm-stroke, and possessed one of the most beautifully-developed bodies I have ever seen. One evening, after bathing, as we were driving back to Amiens in the car, he stretched out his arms and said, "Orpen, I feel like a young Greek god!" And, after a pause, added: "But only a fragment, you know, only a fragment." He was a great man, and could clamber over trenches with his wooden stump in a marvellous way.
I remember that summer a strange thing happened. One day I found, and started painting, the remains of a Britisher and a Boche—just skulls, bones, garments—up by the trenches at Thiepval. I was all alone. My faithful Howlett was about half a mile away with the car. When I had been working about a couple of hours I felt strange. I cannot say even now what I felt. Afraid? Of what? The sun shone fiercely. There was not a breath of air. Perhaps it was that—a touch of the sun. So I stopped painting and went and sat on the trunk of a blown-up tree close by, when suddenly I was thrown on the back of my head on the ground. My heavy easel was upset, and one of the skulls went through the canvas. I got up and thought a lot, but came to the conclusion I had better just go on working, which I did, and nothing further strange happened. That night I happened to meet Joffroy, and told him about these skulls, and how peculiar one was, as it had a division in the frontal bone (the Britisher's). He said he would like to go and make a study of it; so I brought him out the next morning to the place, I myself working that day in Thiepval Wood, about half a mile further up the hill. I left him, saying I would come back and bring him lunch from the car, as it was difficult for him to get about. When I did get back I found him lying down, not very near the place, saying he felt very ill and he thought it was the smell "from those remains." He had done no work, and refused even to try to eat till we got a long way away from the skulls. I explained to him that there was no smell, and he said, "But didn't you see one has an eye still?" But I knew that all four eyes had withered away months before. There must have been something strange about the place.
Most of these summer months John Masefield was working on the Somme battlefields. He preferred to work out there on the spot. He would get a lift out from Amiens in the morning on a motor or lorry, work all day by himself at some spot like La Boisselle, and walk back to the bridge at Albert and look out for a lift back to Amiens. If we worked out in this direction, on the way home our eye was always kept on the look-out for him; but really it never appeared to matter to him if he got back or not. I don't believe he minded where he was as long as he could ponder over things all alone.
XV. Adam and Eve at Péronne.
The small towns and villages in this part of the country, behind the old fighting line of 1916, were, for the most part, dirty and usually uninteresting; but once clear of them the plains of Picardy had much charm and beauty, great, undulating, rolling plains, cut into large chequers made by the different crops. When a hill became too steep to work on, it was cut into terraces, like one sees in many of the vineyards in the South; these often have great decorative charm. A fair country—I remember Joffroy sometimes used the word "graceful" regarding different views in those parts, and the word gives the impression well.
There is a beautiful valley on the left, as one goes from Amiens to Albert: one looked down into it from the road, a patchwork of greens, browns, greys and yellows. I remember John Masefield said one day it looked to him like a post-impressionist table-cloth; later, white zigzagging lines were cut all through it—trenches.
In the spring of 1917 it was strange motoring out from Amiens to Albert. Just beyond this valley everything changed. Suddenly one felt oneself in another world. Before this point one drove through ordinary natural country, with women and children and men working in the fields; cows, pigs, hens and all the usual farm belongings. Then, before one could say "Jack Robinson!" not another civilian, not another crop, nothing but a vast waste of land; no life, except Army life; nothing but devastation, desolation and khaki.