There were heavy hearts upon the outside of that door. The men had brought the coffin up, and set it down upon the steps. The hearse and hired hack had driven off. There lay the dead—he never would say, "This is my business," again—the wine-maker might say so. Both were silent. Neither would own his work. In the vaults of that house, three thousand dollars worth—no, cost—of wines were stored. Fifty thousand dollars worth of the richest rosewood and mahogany furniture, china, cut glass, and silver ware, stood idle, while its late possessor lay in his coffin upon the threshold, with his family standing around, vainly asking permission to rest the body of the dead owner one night, in its journey to the tomb. What should they do? Walter, if he had been there, could have directed what to do. He was not. Then he was cursed in thought, if not word, because he was not there.
"It is all his fault," said Elsie; "it was his abominable marriage that killed father."
Where was her husband? She looked around for him. He had slipped away "to get a drink." What a brute, she thought. So he was. That is what going to "get a drink" makes of a man.
"We must go to Mr. Grundy's," said the widow.
How? The hearse and hack were gone, and could not be got back in an hour. A passing cart was called, and the coffin of the millionaire placed upon it, and the family followed, to knock at the door of a neighbor's house, with the same results—to be answered by another sheriff's officer, but who, by chance, happening to be an American, and possessed of common sense enough to know that the dead would not steal, and those who attended upon him would not be likely to do so, he opened the door, lit the gas, called up one or two of the servants still left in the house, and did a few other things that natural humanity dictates upon such an occasion. An hour after, the Grundys themselves arrived, to find their home in the hands of a "keeper," who had let in the Morgans by courtesy, and now admitted them as mourning friends of the family.
Here, I draw the curtain. You have already seen the termination of a man who could leave his young wife and her dead father standing in the street, to go and "get a drink." It was him that died in the rat hole, in Cow Bay. It was Elsie that told how he died, how she gave birth to a child by the side of her dead husband, and how the rats sucked up the life blood of that child.
You have seen Matilda, before. Turn back to a picture, in Chapter V., and look at her upon her wedding-day. It is needless for me to go with you along the beaten path of her career, down, down, down, from ball-room to bar-room; from house of——"a place to meet a friend"—to a house of——"ladies' boarding-house"—to a house of common resort—the abode of wretchedness, woe, sin, degradation, disease, and "painted sepulchres"—from that to a low room, with "my man," and, finally, to fill the picture in the Twopenny Marriage.
Let the curtain fall—the dead rest in peace.