"You have learnt a city trade, and you have got city airs; nobody wants you here."
It was not so. Everybody wanted her there but her miserable father. Everybody else loved Athalia. They saw no city airs; all they saw was that a rough diamond had been polished. What is it worth without?
So she came back to the city with a heavy heart. What was she to do? She could go back to her old shop and work eighteen hours a day, for twenty-five cents, and scanty food; lodging, as she had done during her long year of apprenticeship, three in a narrow bed, in a room with just air and space enough for the decent accommodation of a cat, nothing more. What hope in such a life? What would she have at the end of the year? Just what she had at the beginning? No; for one year of youth would be gone.
She could not go back; there was no hope there. So, with another girl just as poor, but just as willing to work, she took a room, and took in work, or went out to do it. Then how she was exposed, how in danger. Libertines live in genteel families. Ah, and are pet sons of mothers who would give dollars to dissipated rakes, and grudge shillings to poor dress-makers. And if the poor girl should be caught in the snare of such a son, how the mother would rave and drive her away unpaid, because she had disgraced her "respectable boy."
Mrs. Morgan was one of Athalia's lady "patrons." Haughtily proud, yet not, like some of her class, positively dishonest, cruelly dishonest. She wanted the labor of the poor sewing girl, because she possessed great taste, and could dress her daughters better, and what was still more, though so little practised by the rich, cheaper, than she could get their dresses at a "regular establishment." That was just what the daughters most disliked. They knew that none of their acquaintances wore such neat-fitting dresses, but when the question was put, "Where did you get them made?" they could not answer, "Oh, we always get everything at Madame Chalambeau's fashionable establishment in Broadway."
They could not change their mother's policy, and so they determined to drive poor Athalia out of the house.
They had another object. Athalia was beautiful. Her face was such as we are apt to conceive that an angel must have. And everybody who came in the house while she was there, and saw her, said, "Oh, what a sweet face!"
This was gall and wormwood to the "young ladies," for their faces were just such as you would suppose were made out of those two ingredients, and they were true indications of their minds. So they hated the poor seamstress for double cause.
At first she came to the table with the family. But the girls could not help observing that she was the diamond, they the setting, to all eyes. She was better bred than they, with all their boarding-school education. Where had she got it? In a country school house, and her mother's kitchen.
Once, once only, after tea she was invited to sing. Who supposed that she could touch a piano note. She accepted the invitation, as all well-bred girls do, who know that they can sing, and Walter offered his arm to lead her to the piano.