Fashionable hours were early in the days of Queen Anne, and it was a well-known fact that the imperious Sarah Churchill did not easily pardon the slight of unpunctuality at her entertainments. So by nine o'clock the gorgeous drawing-rooms were well-filled and the steady stream of rank and beauty poured up the great staircase as fast as chariots and chairs could discharge their glittering loads.
The sight was a dazzling one; every nationality, every celebrity was represented. Cardinals paid court to Gipsies, Charlemagne and Henry the Eighth contended for the favor of Helen of Troy, and in front of the dais upon which the duchess stood unmasked, to receive her guests, an endless procession passed, of monks and devils, kings and clowns, swashbucklers, nuns, fairies, princesses, allegorical and mythological personages—a veritable phantasmagoria, in which the mask and domino afforded just as much concealment as the wearer desired, but no more.
A ripple of laughter or a murmur of admiration at frequent intervals announced the arrival of some specially brilliant or humorous masker, and when the crowd was at its densest, a couple approached the dais, followed by a stream of hilarious compliments.
Foremost came Prue, dressed as a shepherdess. Over a skirt of her grandmother's priceless lace, she wore a Watteau dress of white silk, brocaded with bunches of rosebuds and forget-me-nots, and coquettishly perched upon her luxuriant curls was a little straw hat, adorned with a wreath of roses and a flowing knot of blue ribbon. The pearl-embroidered gloves covered her hands, in one of which she carried a crook all laced with fluttering ribbons, and in the other a silken cord, by which she led Peggie, admirably disguised as a lamb; of gigantic growth, to be sure, but delightfully and gracefully grotesque as she ambled and pranced beside the little shepherdess, who at every other step, stopped to caress and encourage her.
The little procession was so irresistibly funny that the duchess, at first rather disturbed by the rising tide of laughter and applause, as soon as she set eyes upon the cause of it, joined in with the utmost heartiness, and even the queen, who sat beside her in a chair of state, vouchsafed a smile of genuine amusement, rare enough upon the face of that woman of few emotions.
Dancing was going on in the great ball-room, but Prue refused to dance. "I dare not leave my lamb at the mercy of all these wolves," she declared, in a falsetto voice that deceived no one. "Is there no grassy nook where I can repose, while my pet frolics round me?"
"Certainly," said a voice, which she recognized as Sir Geoffrey's. "There are secluded retreats in the conservatories sacred to Chloris and her flock—"
"Including Strephon? No, thank you," and warning him off with her crook, she roamed about, launching the harmless arrows of her ready wit against such of the guests as she recognized, or pretended to.
Presently a voice began to murmur close behind her—
"Her hair,
In ringlets rather dark than fair,
Does down her ivory bosom roll,
And hiding half, adorn the whole.
In her high forehead's fair half-round
Love sits in open triumph crown'd.
Her lips, no living bard, I weet,
May say how red, how round, how sweet—"