“I guess so. A sort of benefactor?”
“Well, yes, a patron is a lover of arts who has money and wishes to encourage some struggling musician or artist. It’s not a new idea. In medieval times it was the Church that commissioned paintings, allowed the artist to flourish. Sometimes it was the government or a nobleman who provided this encouragement. Today Foundations do the same.
“Anyhow,” Karl went on. “Mr. Werther became fired with this idea. My mother was quite carried away by his generosity. Both agreed I should be consulted. My mother wrote all this in her letters. She was careful to add that after all the offer was made on impulse. He wished to speak to his wife and that we must not count on it too much. I was interested but I gave it little serious thought. It was something for the distant future, if at all.”
Judy’s face was downcast. Karl asked, “Do you really want to hear all this?”
“Of course. Please don’t stop every minute.”
Thus prodded, Karl continued. “Last week Mr. Werther came again, this time with his wife. He had made all the necessary inquiries and had a definite program. He goes to Europe every year on business. Next year, after I graduate in June, he expects me to go with him. No more talk of consulting me. The plan is ready. I go to Europe, study in Paris and so on—”
“And does your mother now object?” Judy asked, suddenly hopeful of an unexpected ally.
“Far from it! Judging from her letters, the sooner, the better!”
Judy’s face was now as gloomy as Karl’s.
Fumbling for words, Karl tried to explain this change in his mother. Loyal as he was, he could not conceal his resentment. “She doesn’t care that I’m to be uprooted again or separated from those I care so much about—” He looked yearningly at Judy. “It’s only my career that matters to her now!”