However, you all are unhappy lovers, and that is why you are not satisfied with woman as she is. The gods forbid! As she is she pleases me, just as she is. Even Constantin's category of "the joke" seems to contain a secret desire. I, on the other hand, I am gallant. And why not? Gallantry costs nothing and gives one all and is the condition for all erotic pleasure. Gallantly is the Masonic language of the senses and of voluptuousness, between man and woman. It is a natural language, as love's language in general is. It consists not of sounds but of desires disguised and of ever changing wishes. That an unhappy lover may be ungallant enough to wish to convert his deficit into a draught payable in immortality—that I understand well enough. That is to say, I for my part do not understand it; for to me a woman has sufficient intrinsic value. I assure every woman of this, it is the truth; and at the same time it is certain that I am the only one who is not deceived by this truth. As to whether a despoiled woman is worth less than man—about that I find no information in my price list. I do not pick flowers already broken, I leave them to the married men to use for Shrove-tide decoration. Whether e. g. Edward wishes to consider the matter again, and again fall in love with Cordelia,[51] or simply repeat the affair in his reflection—that is his own business. Why should I concern myself with other peoples' affairs! I explained to her at an earlier time what I thought of her; and, in truth, she convinced me, convinced me to my absolute satisfaction, that my gallantry was well applied.

Concedo. Concessi.[52] If I should meet with another Cordelia, why then I shall enact a comedy "Ring number 2.[53]" But you are unhappy lovers and have conspired together, and are worse deceived than the girls, notwithstanding that you are richly endowed by nature. But decision—the decision of desire, is the most essential thing in life. Our young friend will always remain an onlooker. Victor is an unpractical enthusiast. Constantin has acquired his good sense at too great a cost; and the fashion dealer is a madman. Stuff and nonsense! With all four of you busy about one girl, nothing would come of it.

Let one have enthusiasm enough to idealize, taste enough to join in the clinking of glasses at the festive board of enjoyment, sense enough to break off—to break off absolutely, as does Death, madness enough to wish to enjoy all over again—if you have all that you will be the favorite of gods and girls.

But of what avail to speak here? I do not intend to make proselytes. Neither is this the place for that. To be sure I love wine, to be sure I love the abundance of a banquet—all that is good; but let a girl be my company, and then I shall be eloquent. Let then Constantin have my thanks for the banquet, and the wine, and the excellent appointments—the speeches, however, were but indifferent. But in order that things shall have a better ending I shall now pronounce a eulogy on woman.

Just as he who is to speak in praise of the divinity must be inspired by the divinity to speak worthily, and must therefore be taught by the divinity as to what he shall say, likewise he who would speak of women. For woman, even less than the divinity, is a mere figment of man's brain, a day-dream, or a notion that occurs to one and which one may argue about pro et contra. Nay, one learns from woman alone what to say of her. And the more teachers one has had, the better. The first time one is a disciple, the next time one is already over the chief difficulties, just as one learns in formal and learned disputations how to use the last opponent's compliments against a new opponent. Nevertheless nothing is lost. For as little as a kiss is a mere sample of good things, and as little as an embrace is an exertion, just as little is this experience exhaustive. In fact it is essentially different from the mathematical proof of a theorem, which remains ever the same, even though other letters be substituted. This method is one befitting mathematics and ghosts, but not love and women, because each is a new proof, corroborating the truth of the theorem in a different manner. It is my joy that, far from being less perfect than man, the female sex is, on the contrary, the more perfect. I shall, however, clothe my speech in a myth; and I shall exult, on woman's account whom you have so unjustly maligned, if my speech pronounce judgment on your souls, if the enjoyment of her beckon you only to flee you, as did the fruits from Tantalus; because you have fled, and thereby insulted, woman. Only thus, forsooth, may she be insulted, even though she scorn it, and though punishment instantly falls on him who had the audacity. I, however, insult no one. That is but the notion of married men, and a slander; whereas, in reality, I respect her more highly than does the man she is married to.

Originally there was but one sex, so the Greeks relate, and that was man's. Splendidly endowed he was, so he did honor to the gods—so splendidly endowed that the same happened to them as sometimes happens to a poet who has expended all his energy on a poetic invention: they grew jealous of man. Ay, what is worse, they feared that he would not willingly bow under their yoke; they feared, though with small reason, that he might cause their very heaven to totter. Thus they had raised up a power they scarcely held themselves able to curb. Then there was anxiety and alarm in the council of the gods. Much had they lavished in their generosity on the creation of man; but all must be risked now, for reason of bitter necessity; for all was at stake—so the gods believed—and recalled he could not be, as a poet may recall his invention. And by force he could not be subdued, or else the gods themselves could have done so; but precisely of that they despaired. He would have to be caught and subdued, then, by a power weaker than his own and yet stronger—one strong enough to compel him. What a marvelous power this would have to be! However, necessity teaches even the gods to surpass themselves in inventiveness. They sought and they found. That power was woman, the marvel of creation, even in the eyes of the gods a greater marvel than man—a discovery which the gods in their naïveté could not help but applaud themselves for. What more can be said in her praise than that she was able to accomplish what even the gods did not believe themselves able to do; and what more can be said in her praise than that she did accomplish it! But how marvelous a creation must be hers to have accomplished it.

It was a ruse of the gods. Cunningly the enchantress was fashioned, for no sooner had she bewitched man than she changed and caught him in all the circumstantialities of existence. It was that the gods had desired. But what, pray, can be more delicious, or more entrancing and bewitching, than what the gods themselves contrived, when battling for their supremacy, as the only means of luring man? And most assuredly it is so, for woman is the only, and the most seductive, power in heaven and on earth. When compared with her in this sense man will indeed be found to be exceedingly imperfect.

And the stratagem of the gods was crowned with success; but not always. There have existed at all times some men—a few—who have detected the deception. They perceive well enough woman's loveliness—more keenly, indeed than the others—but they also suspect the real state of affairs. I call them erotic natures and count myself among them. Men call them seducers, woman has no name for them—such persons are to her unnameable. These erotic natures are the truly fortunate ones. They live more luxuriously than do the very gods, for they regale themselves with food more delectable than ambrosia, and they drink what is more delicious than nectar; they eat the most seductive invention of the gods' most ingenious thought, they are ever eating dainties set for a bait—ah, incomparable delight, ah, blissful fare—they are ever eating but the dainties set for a bait; and they are never caught. All other men greedily seize and devour it, like bumpkins eating their cabbage, and are caught. Only the erotic nature fully appreciates the dainties set out for bait—he prizes them infinitely. Woman divines this, and for that reason there is a secret understanding between him and her. But he knows also that she is a bait, and that secret he keeps to himself.

That nothing more marvelous, nothing more delicious, nothing more seductive, than woman can be devised, for that vouch the gods and their pressing need which heightened their powers of invention; for that vouches also the fact that they risked all, and in shaping her moved heaven and earth.

I now forsake the myth. The conception "man" corresponds to his "idea." I can therefore, if necessary, think of an individual man as existing. The idea of woman, on the other hand, is so general that no one single woman is able to express it completely. She is not contemporaneous with man (and hence of less noble origin), but a later creation, though more perfect than he. Whether now the gods took some part from him whilst he slept, from fear of waking him by taking too much; or whether they bisected him and made woman out of the one half—at any rate it was man who was partitioned. Hence she is the equal of man only after this partition. She is a delusion and a snarer, but is so only afterwards, and for him who is deluded. She is finiteness incarnate; but in her first stage she is finiteness raised to the highest degree in the deceptive infinitude of all divine and human illusions. Now, the deception does not exist—one instant longer, and one is deceived.