"You never hear noan of the latest songs here," he complained again. "I got a quare cut from my brother once, me singin' a song that I thought was new, an' he toul' me it was as oul' as the hills. It was more nor a year oul', anyway!..."
4
They came away from the hill in a mood of depression. It seemed to Henry that the Gaelic Movement could never take root in that soil. What was the good of asking Jamesey McKeown to sing Gaelic songs and till the land when his heart was hungering for the tuppeny excitements of a Glasgow music-hall? What would Jamesey McKeown make of Galway's translations? Would
O woman of the gleaming hair
(Wild hair that won men's gaze to thee),
Weary thou turnest from the common stare,
For the Shuiler Christ is calling thee.
bind him to the nurture of the earth when
What ho! she bumps
called him to Glasgow?
"We must think of something!" Marsh was saying, but Henry was busy with his own thoughts and paid no heed to him.
What, after all, had a farm to offer a quick-witted man or woman? That girl, Lizzie McCamley of whom his father had spoken once, she had preferred to go to Belfast and work in a linen mill and live in a slum rather than continue in the country; and Jamesey McKeown, who was so quick and eager and anxious to succeed, had weighed farms and fields and hills and valleys in the balance and found them of less weight and value than a Glasgow bar and a Glasgow music-hall. Henry remembered that his father was more interested in the land than most men—and he resolved to ask for his opinion. What was the good of all this co-operation, this struggle to discover the best way of making the earth yield up the means of life, this effort to increase and multiply, when nothing they could do seemed to make the work attractive to those who did it?...
Marsh was still murmuring to him. "I see," he was saying, "that something must be done. That girl ... what's her name?... Sheila something?..."