"A. E."
(GEORGE WILLIAM RUSSELL)
I
In all the books on Ireland, considered nationally, socially and economically, that have been written in the past twenty years, two men inevitably are mentioned: Sir Horace Plunkett and "A. E.," whose lawful name is George William Russell. Men of affairs in most parts of the world have heard of them, and I imagine that very few of the people who go to Ireland with any serious purpose fail to visit them. I saw Sir Horace Plunkett receive an ovation from a large audience in New York which could only have been given to him by people who had some knowledge and appreciation of his work for his country; and I was impressed by the fact that many Americans asked me to tell them something of "A. E." And yet, though the wide world is not ignorant of their worth, it is very likely that they are less generally known in Ireland than some paltry politician with a gift for street corner rhetoric. Once, in Dublin, I praised Sir Horace Plunkett to a man from the county of Cavan, who interrupted me to say that no one in his village had ever heard of Sir Horace. He seemed to imagine that the ignorance of his neighbours proved a demerit in the founder of the co-operative movement in Ireland. Your villagers, said I, may never have heard of Sir Horace Plunkett and are probably very familiar with the names of Mr. Charles Chaplin and Miss Mary Pickford, but does that prove that Mr. Chaplin is a greater man than Sir Horace? I am not indifferent to the merits of Mr. Chaplin—I would go a long way to see him in the movies—but I hope I shall never succumb to this modern shoddy democracy which will not believe that a man possesses quality unless his name is printed frequently in the newspapers and is familiarly known to the rabble. It may be that Paudeen, unfit to do more than "fumble in a greasy till," as Mr. Yeats wrote in his bitter poem, "September, 1913," knows little or nothing of Sir Horace Plunkett whose life labours have brought so much of comfort and prosperity to him—but who cares what Paudeen knows? Let him grub in the soil, as God made him to grub, while men of mind and quality look after his affairs. It is sufficient for the knowledgeable minority that they know of Sir Horace and realize the value of the great work he has done for his country. A false optimism bids us to believe that "we needs must love the highest when we see it," but a sense of reality convinces us that the highest has to fight harder for recognition than the lowest, and that the way to the throne of heaven passes through Golgotha, the place of a skull.
II
If it be true that Sir Horace Plunkett is less known to his countrymen than some fellow with flashy wits, it is more certain to be true that his great colleague in co-operation, "A. E.," is still less known to them. It would be difficult for any intelligent person to come into the presence of "A. E." and remain unaware that he is a man of merit. He fills a room immediately and unmistakably with the power of his personality. A tall, bearded, untidy man, with full lips and bulkily-built body, he draws attention by his deep, grey eyes. When he speaks, other people listen. If you were to meet him in the street, unaware of his identity, and he were to ask you for a match with which to light his pipe, you would do more than civilly comply with his request. You would certainly say to yourself, "That's a remarkable man!" It is said, with what verity I cannot say, that Mr. Bernard Shaw and "A. E." met for the first time in a picture-gallery in Dublin, each ignorant of the other's identity, and that they began to talk of Art. They impressed each other so greatly that they continued in argument for a long time, and only, when they parted, did they become known to each other. The mountains nod to each other over the heads of the little hills; and men of merit, even when they are not easily recognized by the multitude, are known to each other. One man of merit may, indeed, belittle another man of merit, as Dr. Johnson belittled Fielding, as George Meredith belittled Dickens, as Henry James belittled Ibsen and Thomas Hardy; but at least they are aware of each other.
III
Very often have writers told the story of how Sir Horace Plunkett, a tongue-tied, hesitant man with very delicate health, returned to Ireland after a long stay in America, to begin the Co-operative Movement, and found, in a Dublin shop, keeping accounts for a tea-merchant, a poet and a painter, a mystic who was also an economist with the capacity, as it afterwards proved, to become the ablest journalist in Ireland. This man of multiple energies was George William Russell, who was born in Lurgan, in the County of Armagh, on April 10, 1867. He is two years younger than Mr. Yeats, eleven years younger than Mr. Shaw, and fifteen years younger than Mr. George Moore. The order of these births is significant. Observe how an aloof artist has been succeeded by a furious economist! Mr. Moore, who began life as a realist after the manner, but not after the style, of Zola, and then turned his back on Zola and sought the company of Turgeniev so that he might pursue apt and beautiful words and delicate and elusive thoughts, was followed by Mr. Shaw, who began life by filling his mind with the ideas of Henry George and Karl Marx, and then turned his back on both of them in order that he might consort with Mr. Sidney Webb. Mr. Yeats, with his vague poetry and vague mysticism—none the less vague because of the curious care for exactness which causes him to count the nine and fifty swans at Coole and the nine bean rows on Innisfree—followed Mr. Shaw, and in his turn was followed by "A. E." so closely connected with economics that a wag, when asked what was the meaning of "A. E's." pen-name, replied "agricultural economist."[1]
One cannot, however, leave the matter as simply as that. Mr. Shaw likes to think of himself as an economist, but he is more than an economist; he is John the Baptist pretending to be Karl Marx. "A. E." likes to think of himself as an expert on the price of butter and milk and cows and sheep, but he is more than an expert on these things: he is Blake pretending to be Sir Horace Plunkett. Or Walt Whitman pretending to be President Wilson. It has always seemed to me that Sir Horace Plunkett and "A. E.," colleagues in a great enterprise, are the embodiment of the peculiarly interwoven strands of Irish character, of that queer mingling of the material and the spiritual in the Irish people which at once allures and astounds the Englishman, accustomed to keeping his materialism and his spirituality in separate compartments. Sir Horace has a neat and unexpected wit, but he does not appear to me to have much feeling for poetry or for any other literature or art. He has respect for these things and will talk on them sometimes with singular incisiveness, but his interest in them is an outside interest. If he had to choose between a co-operative creamery and the Heroic Legends of Ireland, I do not doubt for a moment that he would choose the co-operative creamery. "A. E.," on the contrary, would choose the Heroic Legends and would give the good reason for so doing that without the Heroic Legends, the co-operative creamery is useless. When "A. E." pleads for the co-operative societies, he does so because he believes that these are part of the means whereby the Irish people will be restored to their ancient stature.