"Very well, Hinde," said John.
"We'll go up to town in the morning together, if you like!"
"I would," said John.
VI
John's dreams that night were queerly complicated. Eleanor Moore flitted through a scene on a submarine in which a dog was dying by inches while a naval lieutenant made passionate love to an Irish girl called Kitty; and while Eleanor passed vaguely from side to side of the submarine, a gigantic piece of red tape came and enveloped her and enveloped John, too, when, unaccountably, he appeared and tried to save her. He felt himself being strangled by red tape, and he knew that Eleanor was being strangled, too. He felt that if only the dog would eat the red tape, both Eleanor and he would be delivered from it, but somehow the Irish girl called Kitty prevented the dog from eating it. And in the dream, he called pitifully to Eleanor, "She won't let us work up to a climax! She's preventing us from working up to a climax!..."
THE THIRD CHAPTER
I
At the end of a month from the day on which he arrived in London, John MacDermott began to consider his position and ended by finding it in a very unsatisfactory state. He had spent much of his time in sight-seeing, and would have spent more of it, had not Hinde informed him that the only way in which to know a city is to live in it, not as a tourist, but as an ordinary citizen. "Change your lodgings every twelve months," he said, "and go and live in a different part of the town every time you change them. Then you'll get to know London. It's no use tearing round the place like an American ... half an hour here and a couple of minutes there, and a Baedeker never out of your hands. Americans think they're getting an impression of a country when they're only getting a sick-headache; and when they go home again, they can never remember whether Mont Blanc was a picture they saw in Paris or a London chop-house where they had old English fare at modern English prices. If you want to know St. Paul's Cathedral, don't go there with a guide-book in your hand. Go as one of the congregation!..."
He had sent the manuscript of his novel to a publisher who had not yet expressed any eagerness to accept it, and he had made a half-hearted effort to write a play for the Creams, but had not been very successful with it, chiefly because he felt contempt for The Girl Gets Left and had little liking for Mrs. Cream. She came to the sitting-room one morning when Hinde was away and her husband was interviewing his agent, and went straight to John, nibbling a pen at the writing desk, and put her arms about his neck.
"Don't do that," he said, disengaging her arms from about him.