The Foolish Lovers

by St. John G. Ervine

The members of the orchestra came into the theatre, and after a while the music began. The lights in the theatre were diminished and then were extinguished, and the curtain went up. John snuggled closer to Maggie.

VI

He was scarcely aware of the performance on the stage, so aware was he of the nearness of Maggie. He heard applause, but he did not greatly heed it. He was in love. He had never been in love before, and he had always thought of it as something very different from this, something cold and austere and aloof, and very dignified ... not at all like this warm, intimate, careless thing. He slipped his hand from Maggie's and slowly put his arm round her waist. She did not resist him, and when he drew her more closely to him so that their heads were nearly touching, she yielded to him without demur. He could feel her heart beating where his hand pressed against her side, and he heard the slow rise and fall of her breath as she inhaled and exhaled. He could not get near enough to her. He wanted to draw her head down on to his shoulder, to put both his arms about her, to feel again his lips on her lips....

He started suddenly. Someone was tapping him, on the shoulder. He turned round to meet the gaze of an elderly, indignant woman who was seated immediately behind him.

"Sit still," she said in a loud whisper. "I can't see the stage for you two ducking your heads together!"

VII

He took his arm away from Maggie's waist, and edged a little away from her. He felt angry and humiliated. He told himself that he did not care who saw him putting his arm about Maggie's waist, but was aware that this was not true, that he deeply resented being overlooked in his love-making. He did not wish anyone to behold him in this intimate relationship with Maggie, and he was full of fury against the woman behind him because she had seen him fondling her. For of course the woman knew that he had his arm about Maggie ... and now her neighbours would know, too. The whole theatre would know that he had been embracing the girl!... Well, what if they did know? Let them know! There was no harm in a fellow putting his arm round a girl's waist. It was a natural thing for a fellow to do, particularly if the girl were so pretty and warm and loving as Maggie Carmichael. The woman herself had no doubt had a man's arm round her waist once upon a time. He did not care who knew!... All the same!... No, he did not care!... He slipped his hand into Maggie's hand again, and then quickly withdrew it. She was holding a sticky chocolate in her fingers!...

He lost all interest in the play now. It would be truer, perhaps, to say that he had not begun to be interested in it, and now that he tried to follow it, he could not do so. His mind constantly reverted to the indignant woman behind him. He imagined her looking, first this way and then that, in her efforts to see the stage, getting angrier and more angry as she was thwarted in her desire, and then, in her final indignation, leaning forward to tap on his shoulder and beg him to keep his head apart from Maggie's so that she might conveniently see the stage. His sense of violated privacy became stronger. His love for Maggie, for he accepted it now as a settled fact, was not a thing for prying eyes to witness: it was a secret, intimate thing in which she and he alone were concerned. He hated the thought that anyone else in the theatre should know that Maggie and he were sweethearts, newly in love and warm with the glow of their first affection. And then, when he had slipped his hand back into hers, he had encountered a sticky chocolate! While he was burning with feeling for her and with resentment against the old woman's intrusion into their love affair, Maggie had been chewing chocolate quite unconcernedly. In that crisis of their love, she had remained unmoved. When he had released her hand, she had simply put it into the box of chocolates and taken out a sticky sweet and had eaten it with as little emotion as if he had not been present at all, as if his ardent, pressing arm had not been suddenly withdrawn from her waist because of that angry intruder into their happiness. She had taken his hand when he gave it to her, and had released it again when he withdrew it, without any appearance of desire or reluctance. He had imagined that she would take his hand eagerly and yield it up unwillingly, that she would try to restrain him when he endeavoured to take his hand away from hers ... but she had not done so.

Perhaps she did not love him as he loved her. Perhaps she did not love him at all. After all, he had met her for the first time about three hours earlier in the evening. Only three hours ago! It was hard to believe that he had not loved her for centuries, had not often felt her heart beating beneath the pressure of his hand, had not frequently put his lips to her lips and been enchanted by her kisses. Why, he had only kissed her once. Only once! Once only!... He looked at her as she sat by his side, gazing intently at the stage. He could see a protuberance in her cheek, made by a piece of chocolate, and as he looked at her, it seemed to him to be a terrible thing that this girl did not love him. His love had gone out to her, quickly, insurgently and fully, and perhaps she thought no more of him than she might think of any chance friend who offered to take her to see a play. She might have spent many evenings in this very theatre with other men. Had she not told him that afternoon that she hated to be alone! He had put his arm about her waist in a public place and had been humiliated for doing so, but nothing of this had meant much to Maggie. She was quite willing to let him embrace her ... perhaps she thought that she ought to allow him to hug her as a return for the treat at the theatre ... or perhaps she liked to feel a man's arm about her waist and did not much care who the man might be. Some girls were like that. Willie Logan had told him that Carrie Furlong was the girl of any fellow who liked to walk up the road with her. She did not care with whom she went; all that she cared about was that she should have some boy in her company. She would kiss anybody.

Was Maggie Carmichael like that? Would she kiss this one or that one, just as the mood took her?... Oh, no, she could not be like that. It was impossible for him to fall in love with a girl who distributed kisses as carelessly and impassionately as a boy distributes handbills. He felt certain that he could not fall in love with a girl of that sort, that some instinct in him would prevent him from going so. Other fellows might make a mistake of that kind ... Willie Logan, for example ... but a MacDermott could not make one. Maggie must be in love with him ... she must have fallen in love with him as suddenly as he had fallen in love with her ... otherwise she could not have consented so readily to accompany him to the theatre. When he had taken her in his arms and kissed her, she had yielded to him so naturally, as if she had been in his arms many times before!... Perhaps, though, the ease with which she had yielded to him denoted that she had had much experience!... Oh, no, no! No, no! She was his girl, not anybody else's girl. He could not have her for a sweetheart, if she shared her love with other men. He must have her entirely to himself!...