Early Bardic Literature, Ireland.

by Standish O'Grady

On the plain of Tara, beside the little stream Nemanna, itself famous as that which first turned a mill-wheel in Ireland, there lies a barrow, not itself very conspicuous in the midst of others, all named and illustrious in the ancient literature of the country. The ancient hero there interred is to the student of the Irish bardic literature a figure as familiar and clearly seen as any personage in the Biographia Britannica. We know the name he bore as a boy and the name he bore as a man. We know the names of his father and his grandfather, and of the father of his grandfather, of his mother, and the father and mother of his mother, and the pedigrees and histories of each of these. We know the name of his nurse, and of his children, and of his wife, and the character of his wife, and of the father and mother of his wife, and where they lived and were buried. We know all the striking events of his boyhood and manhood, the names of his horses and his weapons, his own character and his friends, male and female. We know his battles, and the names of those whom he slew in battle, and how he was himself slain, and by whose hands. We know his physical and spiritual characteristics, the device upon his shield, and how that was originated, carved, and painted, by whom. We know the colour of his hair, the date of his birth and of his death, and his relations, in time and otherwise, with the remainder of the princes and warriors with whom, in that mound-raising period of our history, he was connected, in hostility or friendship; and all this enshrined in ancient song, the transmitted traditions of the people who raised that barrow, and who laid within it sorrowing their brave ruler and, defender. That mound is the tomb of Cuculain, once king of the district in which Dundalk stands to-day, and the ruins of whose earthen fortification may still be seen two miles from that town.

This is a single instance, and used merely as an example, but one out of a multitude almost as striking. There is not a king of Ireland, described as such in the ancient annals, whose barrow is not mentioned in these or other compositions, and every one of which may at the present day be identified where the ignorant plebeian or the ignorant patrician has not destroyed them. The early History of Ireland clings around and grows out of the Irish barrows until, with almost the universality of that primeval forest from which Ireland took one of its ancient names, the whole isle and all within it was clothed with a nobler raiment, invisible, but not the less real, of a full and luxuriant history, from whose presence, all-embracing, no part was free. Of the many poetical and rhetorical titles lavished upon this country, none is truer than that which calls her the Isle of Song. Her ancient history passed unceasingly into the realm of artistic representation; the history of one generation became the poetry of the next, until the whole island was illuminated and coloured by the poetry of the bards. Productions of mere fancy and imagination these songs are not, though fancy and imagination may have coloured and shaped all their subject-matter, but the names are names of men and women who once lived and died in Ireland, and over whom their people raised the swelling rath and reared the rocky cromlech. In the sepulchral monuments their names were preserved, and in the performance of sacred rites, and the holding of games, fairs, and assemblies in their honour, the memory of their achievements kept fresh, till the traditions that clung around these places were inshrined in tales which were finally incorporated in the Leabhar na Huidhré and the Book of Leinster.

Pre-historic narrative is of two kinds—in one the imagination is at work consciously, in the other unconsciously. Legends of the former class are the product of a lettered and learned age. The story floats loosely in a world of imagination. The other sort of pre-historic narrative clings close to the soil, and to visible and tangible objects. It may be legend, but it is legend believed in as history never consciously invented, and growing out of certain spots of the earth's surface, and supported by and drawing its life from the soil like a natural growth.

Such are the early Irish tales that cling around the mounds and cromlechs as that by which they are sustained, which was originally their source, and sustained them afterwards in a strong enduring life. It is evident that these cannot be classed with stories that float vaguely in an ideal world, which may happen in one place as well as another, and in which the names might be disarrayed without changing the character and consistency of the tale, and its relations, in time or otherwise, with other tales.

Foreigners are surprised to find the Irish claim for their own country an antiquity and a history prior to that of the neighbouring countries. Herein lie the proof and the explanation. The traditions and history of the mound-raising period have in other countries passed away. Foreign conquest, or less intrinsic force of imagination, and pious sentiment have suffered them to fall into oblivion; but in Ireland they have been all preserved in their original fulness and vigour, hardly a hue has faded, hardly a minute circumstance or articulation been suffered to decay.

The enthusiasm with which the Irish intellect seized upon the grand moral life of Christianity, and ideals so different from, and so hostile to, those of the heroic age, did not consume the traditions or destroy the pious and reverent spirit in which men still looked back upon those monuments of their own pagan teachers and kings, and the deep spirit of patriotism and affection with which the mind still clung to the old heroic age, whose types were warlike prowess, physical beauty, generosity, hospitality, love of family and nation, and all those noble attributes which constituted the heroic character as distinguished from the saintly. The Danish conquest, with its profound modification of Irish society, and consequent disruption of old habits and conditions of life, did not dissipate it; nor the more dangerous conquest of the Normans, with their own innate nobility of character, chivalrous daring, and continental grace and civilisation; nor the Elizabethan convulsions and systematic repression and destruction of all native phases of thought and feeling. Through all these storms, which successively assailed the heroic literature of ancient Ireland, it still held itself undestroyed. There were still found generous minds to shelter and shield the old tales and ballads, to feel the nobleness of that life of which they were the outcome, and to resolve that the soil of Ireland should not, so far as they had the power to prevent it, be denuded of its raiment of history and historic romance, or reduced again to primeval nakedness. The fruit of this persistency and unquenched love of country and its ancient traditions, is left to be enjoyed by us. There is not through the length and breadth of the country a conspicuous rath or barrow of which we cannot find the traditional history preserved in this ancient literature. The mounds of Tara, the great barrows along the shores of the Boyne, the raths of Slieve Mish, and Rathcrogan, and Teltown, the stone caiseals of Aran and Innishowen, and those that alone or in smaller groups stud the country over, are all, or nearly all, mentioned in this ancient literature, with the names and traditional histories of those over whom they were raised.

There is one thing to be learned from all this, which is, that we, at least, should not suffer these ancient monuments to be destroyed, whose history has been thus so astonishingly preserved. The English farmer may tear down the barrow which is unfortunate enough to be situated within his bounds. Neither he nor his neighbours know or can tell anything about its ancient history; the removed earth will help to make his cattle fatter and improve his crops, the stones will be useful to pave his roads and build his fences, and the savant can enjoy the rest; but the Irish farmer and landlord should not do or suffer this.

The instinctive reverence of the peasantry has hitherto been a great preservative; but the spread of education has to a considerable extent impaired this kindly sentiment, and the progress of scientific farming, and the anxiety of the Royal Irish Academy to collect antiquarian trifles, have already led to the reckless destruction of too many. I think that no one who reads the first two volumes of this history would greatly care to bear a hand in the destruction of that tomb at Tara, in which long since his people laid the bones of Cuculain; and I think, too, that they would not like to destroy any other monument of the same age, when they know that the history of its occupant and its own name are preserved in the ancient literature, and that they may one day learn all that is to be known concerning it. I am sure that if the case were put fairly to the Irish landlords and country gentlemen, they would neither inflict nor permit this outrage upon the antiquities of their country. The Irish country gentleman prides himself on his love of trees, and entertains a very wholesome contempt for the mercantile boor who, on purchasing an old place, chops down the best timber for the market. And yet a tree, though cut down, may be replaced. One elm tree is as good as another, and the thinned wood, by proper treatment, will be as dense as ever; but the ancient mound, once carted away, can never be replaced any more. When the study of the Irish literary records is revived, as it certainly will be revived, the old history of each of these raths and cromlechs will be brought again into the light, and one new interest of a beautiful and edifying nature attached to the landscape, and affecting wholly for good the minds of our people.

Irishmen are often taunted with the fact that their history is yet unwritten, but that the Irish, as a nation, have been careless of their past is refuted by the facts which I have mentioned. A people who alone in Europe preserved, not in dry chronicles alone, but illuminated and adorned with all that fancy could suggest in ballad, and tale, and rude epic, the history of the mound-raising period, are not justly liable to this taunt. Until very modern times, history was the one absorbing pursuit of the Irish secular intellect, the delight of the noble, and the solace of the vile.

At present, indeed, the apathy on this subject is, I believe, without parallel in the world. It would seem as if the Irish, extreme in all things, at one time thought of nothing but their history, and, at another, thought of everything but it. Unlike those who write on other subjects, the author of a work on Irish history has to labour simultaneously at a two-fold task—he has to create the interest to which he intends to address himself.