[13]
Indecision
Pat turned the envelope dubiously in her hands, while a maze of chaotic thoughts assailed her. She felt almost a sensation of guilt as if she were in some manner violating the promise given to Dr. Horker; she felt a tinge of indignation that Nicholas Devine should dare communicate with her at all, and she felt too that queer exultation, an inexplicable pleasure, a feeling of secret triumph. She slipped the letter in the pocket of her robe and padded quietly up the stairs to her own room.
Strangely, her loneliness had vanished. The great house, empty now save for herself and Magda in the distant kitchen, was no longer a place of solitude; the discovery of the letter, whatever its contents, had changed the deserted rooms into chambers teeming with her own excitements, trepidations, doubts, and hopes. Even hopes, she admitted to herself, though hopes of what nature she was quite unable to say. What could Nick write that had the power to change things? Apologies? Pleas? Promises? None of these could alter the naked, horrible facts of the predicament.
Nevertheless, she was almost a-tremble with expectation as she skipped hastily into her own room, carefully closed the door, and settled herself by the west windows. She drew the letter from her pocket, and then, with a tightening of her throat, tore open the envelope, slipping out the several pages of scrawled paper. Avidly she began to read.
"I don't know whether you'll ever see this"—the missive began without salutation—"and I'll not blame you, Pat dear, if you do return it unopened. There's nothing you can do that wouldn't be justified, nor can you think worse of me than I do of myself. And that's a statement so meaningless that even as I wrote it, I could anticipate its effect on you.
"Pat—How am I going to convince you that I'm sincere? Will you believe me when I write that I love you? Can you believe that I love you tenderly, worshipfully—reverently?
"You can't; I know you can't after that catastrophe of last night. But it's true, Pat, though the logic of a Spinoza might fail to convince you of it.
"I don't know how to write you this. I don't know whether you want to hear what I could say, but I know that I must try to say it. Not apologies, Pat—I shouldn't dare approach you for so poor a reason as that—but a sort of explanation. You more than any one in the world are entitled to that explanation, if you want to hear it.
"I can't write it to you, Pat; it's something I can only make you believe by telling you—something dark and rather terrible. But please, Dear, believe that I mean you no harm, and that I plan no subterfuge, when I suggest that you see me. It will be, I think, for the last time.
"Tonight, and tomorrow night, and as many nights to follow as I can, I'll sit on a bench in the park near the place where I kissed you that first time. There will be people passing there, and cars driving by; you need fear nothing from me. I choose the place to bridle my own actions, Pat; nothing can happen while we sit there in the view of the world.
"To write you more than this is futile. If you come, I'll be there; if you don't, I'll understand.
"I love you."
The letter was signed merely "Nick." She stared at the signature with feelings so confused that she forebore any attempt to analyze them.
"But I can't go," she mused soberly. "I've promised Dr. Carl. Or at least, I can't go without telling him."
That last thought, she realized, was a concession. Heretofore she hadn't let herself consider the possibility of seeing Nicholas Devine again, and now suddenly she was weakening, arguing with herself about the ethics of seeing him. She shook her head decisively.
"Won't do, Patricia Lane!" she told herself. "Next thing, you'll be slipping away without a word to anybody, and coming home with two black eyes and a broken nose. Won't do at all!"