The Point of View

by Stanley G. Weinbaum

Well, it was. After a few moments I was able to give my full attention to the phenomena of the attitudinizor, and queer phenomena they were, too. I scarcely know how to describe the sensation of looking at the world through the filter of another's mind. It is almost an indescribable experience, but so, in the ultimate analysis, is any other experience.

What I saw first was a kaleidoscopic array of colors and shapes, but the amazing, astounding, inconceivable thing about the scene was that there was no single color I could recognize! The eyes of van Manderpootz, or perhaps his brain, interpreted color in a fashion utterly alien to the way in which my own functioned, and the resultant spectrum was so bizarre that there is simply no way of describing any single tint in words. To say, as I did to the professor, that his conception of red looked to me like a shade between purple and green conveys absolutely no meaning, and the only way a third person could appreciate the meaning would be to examine my point of view through an attitudinizor while I was examining that of van Manderpootz. Thus he could apprehend my conception of van Manderpootz's reaction to the color red.

And shapes! It took me several minutes to identify the weird, angular, twisted, distorted appearance in the center of the room as the plain laboratory table. The room itself, aside from its queer form, looked smaller, perhaps because van Manderpootz is somewhat larger than I.

But by far the strangest part of his point of view had nothing to do with the outlook upon the physical world, but with the more fundamental elements—with his attitudes. Most of his thoughts, on that first occasion, were beyond me, because I had not yet learned to interpret the personal symbolism in which he thought. But I did understand his attitudes. There was Carter, for instance, toiling away out in the large laboratory; I saw at once what a plodding, unintelligent drudge he seemed to van Manderpootz. And there was Miss Fitch; I confess that she had always seemed unattractive to me, but my impression of her was Venus herself beside that of the professor! She hardly seemed human to him and I am sure that he never thought of her as a woman, but merely as a piece of convenient but unimportant laboratory equipment.

At this point I caught a glimpse of myself through the eyes of van Manderpootz. Ouch! Perhaps I'm not a genius, but I'm dead certain that I'm not the grinning ape I appeared to be in his eyes. And perhaps I'm not exactly the handsomest man in the world either, but if I thought I looked like that—! And then, to cap the climax, I apprehended van Manderpootz's conception of himself!

"That's enough!" I yelled. "I won't stay around here just to be insulted. I'm through!"

I tore the attitudinizor from my head and tossed it to the table, feeling suddenly a little foolish at the sight of the grin on the face of the professor.

"That is hardly the spirit which has led science to its great achievements, Dixon," he observed amiably. "Suppose you describe the nature of the insults, and if possible, something about the workings of the attitudinizor as well. After all, that is what you were supposed to be observing."

I flushed, grumbled a little, and complied. Van Manderpootz listened with great interest to my description of the difference in our physical worlds, especially the variations in our perceptions of form and color.

"What a field for an artist!" he ejaculated at last. "Unfortunately, it is a field that must remain forever untapped, because even though an artist examined a thousand viewpoints and learned innumerable new colors, his pigments would continue to impress his audience with the same old colors each of them had always known." He sighed thoughtfully, and then proceeded. "However, the device is apparently quite safe to use. I shall therefore try it briefly, bringing to the investigation a calm, scientific mind which refuses to be troubled by the trifles that seem to bother you."