As he stooped to the flowers his eyes met hers smiling through the hawthorn sprays, and he saw her as he had not seen her before. Her gravity had left her. Spring laughed in her eyes, youth fluttered in the tendrils of her hair, she was the soul of May. And what she had found of beauty in the woodland, of music in the larks’ songs, of perfume in the blossoms, of freshness in the morning, the man found in her; and a shock, never to be forgotten, ran through him. He did not speak. He smelled the hawthorn in silence.
But a few seconds later—as men reckon time—he took note of his feelings, and he was startled. He had not been prepared to like her, we know; many things had armed him against her. But before the witchery of her morning face, the challenge of her laughing eyes, he awoke to the fact that he was in danger. He had to own that if he must live beside her day by day and would maintain his indifference, he must steel himself. He must keep his first impressions of her always before him, and be careful. And be very careful—if even that might avail.
For a hundred paces he walked at her side, listening without knowing what she said. Then his coolness returned, and when she asked him why he had come after her without his hat he was ready.
“I had better tell you,” he answered, “this path is little used. It leads to the Great House, and your uncle, owing to his quarrel with Lord Audley, does not like any one to go farther in that direction than the Yew Tree Walk. You can see the Walk from here—the yews mark the entrance to the gardens. I thought that it would be unfortunate if you began by displeasing him, and I came after you.”
“It was very good of you,” she said. Her face was not gay now. “Does Lord Audley live there—when he is at home?”
“No one lives there,” he explained soberly. “No one has lived there for three generations. It’s a ruin—I was going to say, a nightmare. The greater part of the house was burnt down in a carouse held to celebrate the accession of George the Third. The Audley of that day rebuilt it on a great scale, but before it was finished he gave a housewarming, at which his only son quarrelled with a guest. The two fought at daybreak, and the son was killed beside the old Butterfly in the Yew Walk—you will see the spot some day. The father sent away the builders and never looked up again. He diverted much of his property, and a cousin came into the remainder and the title, but the house was never finished, the windows in the new part were never glazed. In the old part some furniture and tapestry decay; in the new are only bats and dust and owls. So it has stood for eighty years, vacant in the midst of neglected gardens. In the sunlight it is one of the most dreary things you can imagine. By moonlight it is better, but unspeakably melancholy.”
“How dreadful,” she said in a low voice. “I almost wish, Mr. Basset, that you had not told me. They say in France that if you see the dead without touching them, you dream of them. I feel like that about the house.”
It crossed his mind that she was talking for effect. “It is only a house after all,” he said.
“But our house,” with a touch of pride. Then, “What are those?” she asked, pointing to the gray shapeless beasts, time-worn and weather-stained, that flanked the entrance to the courtyard.
“They are, or once were, Butterflies, the badge of the Audleys. These hold shields. You will see the Butterflies in many places in the Gatehouse. You will find them with men’s faces and sometimes with a fret on the wings. Your uncle says that they are not butterflies, but moths, that have eaten the Audley fortunes.”