"Mercury, which completes the amalgam," the stout man muttered absently and as if to himself, "when heated sublimes over!" Then turning after a moment's silence to the girl, "What says our Quintessential Stone to this?" he continued. "Her Tissot gone will she still work her wonders? Still of base Grios and the weak alloys red bridegrooms make? Still—kind Anne, your hand!"
Silence! Silence again. What were they doing? Claude, full of suspicion, turned to see what it meant; turned to learn what it was on which the greedy eyes of his table-fellow were fixed so intently. And now he saw, more or less. The stout man and Grio had their heads together and their faces bent over the girl's hand, which the former held. On them, however, Claude scarcely bestowed a glance. It was the girl's face which caught and held his eyes, nay, made them burn. Had it blushed, had it showed white, he had borne the thing more lightly, he had understood it better. But her face showed dull and apathetic; as she stood looking down at the men, suffering them to do what they would with her hand, a strange passivity was its sole expression. When the big man (whose name Claude learned later was Basterga), after inspecting the palm, kissed it with mock passion, and so surrendered it to Grio, who also pressed his coarse lips to it, while the young man beside Claude laughed, no change came over her. Released, she turned again to the hearth, impassive. And Claude, his heart beating, recognised that this was the hundredth performance; that so far from being a new thing it was a thing so old as to be stale to her, moving her less, though there were insult and derision in every glance of the men's eyes, than it moved him.
And noting this he began in a dim way to understand. This was the thing which Tissot had not been able to bear; which in the end had driven the young man with the small chin from the house. This was the pleasantry to which his feeble resistance, his outbursts of anger, of jealousy, or of protest had but added piquancy, the ultimate sting of pleasure to the jaded palate of the performers. This was the obsession under which she lay, the trial and persecution which she had warned him he would find it hard to witness.
Hard? He believed her, trifling as was the thing he had seen. For behind it he had a glimpse of other and worse things, and behind all of some shadowy brooding mystery which compelled her to suffer them and forbade her to complain. What that was he could not conceive, what it could be he could not conceive: nor had he long to consider the question. He found the shifty eyes of his table-fellow fixed upon him, and, though the moment his own eyes met them they were averted, he fancied that they sped a glance of intelligence to the table behind him, and he hastened to curb, if not his feelings, at least the show of them. He had his warning. It was not as Tissot he must act if he would help her, but more warily, more patiently, biding her time, and letting the blow, when the time came, precede the word. Unwarned, he had acted it is probable as Tissot had acted, weakly and stormily: warned, he had no excuse if he failed her. Young as he was he saw this. The fault lay with him if he made the position worse instead of better.
Whether, do what he would, his feelings made themselves known—for the shoulders can speak, and eloquently, on occasion—or the reverse was the case, and his failure to rise to the bait disappointed the tormentor, the big man, Basterga, presently resumed the attack.
"Tissotius pereat, Tissotianus adest!" he muttered with a sneer. "But perhaps, young sir, Latinity is not one of your subjects. The tongue of the immortal Cicero——"
"I speak it a little," Claude answered quietly. "It were foolish to approach the door of learning without the key."
"Oh, you are a wit, young sir! Well, with your wit and your Latinity can you construe this:—
Stultitiam expellas, furca tamen usque recurret
Tissotius periit terque quaterque redit!"
"I think so," Claude replied gravely.