As they walked along the busy street they met a lady of unmistakably distinguished appearance. Instantly she recognized the mother and son, and stopped to greet them.

She was an old playmate of Jack's and a protégé of his mother's, now the wife of a man of brains, influence, money, and a leader in the social life of the City of the Straits.

There came an inspiration to the man. "Mrs. Sheldon," said he, "I want you to help us. We are this moment about to engage in a business transaction of great importance; in fact, if you must know the worst, we are going to buy a bonnet!"

Mrs. Sheldon entered into the shopping expedition with a zest which reminded Jack of the Scriptural battle-steed which sayeth "Ha-ha" to the trumpets. When the brief but brisk and determined engagement was over, Jack's mother appeared in a bonnet of delicate gray, just a shade darker than her silver hair. There was a pink rose in that bonnet, half hidden by lace, and in the cheeks of its wearer faintly bloomed two other pink roses. It was just a dream in bonnets as suited to the woman. The mother had protested prettily, had said the bonnet was "too young" and all that, but had been browbeaten and overcome and made submissive. Mrs. Sheldon was in her element, and happy. Well she knew the man of the world who had demanded her aid, and much she wanted to please him; but deeper than all, her woman's instinct told her of his suddenly realized love for his old mother, and she was no longer a woman of fashion alone, but a helpful human being. Even her own eyes were suspiciously moist as she dragged the couple off to dine with her.

They were to go to the theater that evening, the man and his sweetheart, and by chance stumbled upon a well-staged comic opera, with good music and brilliant and picturesque although occasionally scanty costumes. On the way down the son told the mother of how in Detroit, way back in the sixties, he had seen for the first time a theatrical performance. He told her what she had forgotten, how she had induced his father to take him to the city, and how, in what was "Young Men's Hall," or something with a similar name, he had seen Laura Keene in "A School for Scandal." Then she remembered, and was glad. They had seats in a box at the theater, and from the rising of the curtain till its final drop the man was in much doubt. The manner in which women were dressed upon the stage had changed since the last time when his mother had visited the theater. She was shocked when she saw the forms of women, which, if at least well covered, were none the less outlined.

There was talking in that box. The son explained. The blessed woman almost "bolted" once or twice, but finally accepted all that was told her with the precious though sometimes mistaken confidence a woman has in the matured judgment of the man-child she has borne. Then, having a streak of the Viking recklessness in her which she had given to her son, she enjoyed herself amazingly. It was a glorious outing.

Well, in the way which has been described, the man made love to the woman for a day or two. Then he took her home, and bade her good-by for a time, and told her, in an exaggeratedly formal way, which she understood and smiled at, that he and she must meet each other much oftener in the future. Then he hugged her and went away. And she, being a mother whose heart had hungered, watched his figure as it disappeared, and laughed and cried and was very happy.

"Louisa," said a dignified old lady, "I was mistaken in saying that all happiness from children comes in their youth. It may come in a greater way later—if!"


[A TRAGEDY OF THE FOREST]