For here in Verhaeren's work this vision arises fervent and glowing. Incessantly man proceeds on the path of his destiny. Once his whole world was replete with divinity, 'jadis tout l'inconnu était peuplé de dieux';[27] then one single God took right and might into His hand; but now, by means of his strength and passion, man has wrested, year by year, one secret after the other from this Unknown Power. More and more he has conquered chance by laws, faith by knowledge, fear by safety; more and more the power of the gods glides insensibly into his hands, more and more he determines his own life; and the process will continue till he is in every respect the captain of his fate; he is less and less subject to laws he has not himself established; more and more Nature's slave becomes her lord.
Races, régnez: puisque par vous la volonté du sort
Devient de plus en plus la volonté humaine.[28]
Gods will become men; exterior fate will return into their bosom; the saints will henceforth be only their brothers; and Paradise will be the earth itself. Most beautifully Verhaeren has expressed this idea in one of his latest books,[29] in the symbol of Adam and Eve. Eve, expelled from the Garden of Eden, one day finds its doors open again. But she does not re-enter it, for her highest joy, her Paradise, is now in activity and the pleasure of the earth. Zest in existence, in life, joy of the earth, has never been more strongly and burningly exalted than in this symbol; never has the hymn of humanity been sung with greater fervour than by this poet—perhaps because he had denied life more wildly and more obstinately than any other. Here all contrasts sing together in a harmony without a flaw; the last enmity between man and Nature here becomes the ecstatic feeling of man's godhead.
And strange to say, here the circle of life returns to itself. The books of the poet's old age return to the days of his youth, to the school benches in Ghent where Maeterlinck also sat, the other great Fleming. Both, who lost themselves there, have found themselves again on the heights of life in their conception of the world, for Maeterlinck's highest teaching also (in his book Wisdom and Destiny) is, that all fate is locked up in man himself, that it is man's highest evolution, his highest duty, to conquer fate, all that lies outside him, God. This profound thought, which has thus twice in our days blossomed forth from Flemish soil, has been achieved on different paths. Maeterlinck has found it by listening to the mysticism of silence, Verhaeren by listening to the noise of life. He has found his new God not in the darkness of dreams but in the light of streets, in all places where men bestir themselves, and where from heavy hours the trembling flower of joy is born.
FOOTNOTES:
[1] 'La Conquête' (La Multiple Splendeur).
[2] 'À la Gloire du Vent' (La Multiple Splendeur).
[3] 'L'Eau' (Les Visages de la Vie).
[4] 'Au Bord du Quai' (Ibid.)
[5] 'La Conquête' (Les Forces Tumultueuses)