"How? Give me back my passion for war."
"It is a great misfortune for you to have known her."
I agree very nearly—so low-spirited and craven do I feel—so much has melancholy taken possession of me to-day. We discuss what interest can have led her friend to libel me, but find nothing but that old Neapolitan proverb: "Woman, whom love and youth desert, a nothing piques." What is certain is that that cruel woman is enraged with me—it is the expression of one of her friends. I could revenge myself in a fearful way, but, against her hatred, I am without the smallest means of defence. Schiassetti leaves me. I go out into the rain, not knowing what to do with myself. My rooms, this drawing-room, which I lived in during the first days of our acquaintance, and when I saw her every evening, have become insupportable to me. Each engraving, each piece of furniture, brings up again the happiness I dreamed of in their presence—which now I have lost for ever.
I tramped the streets through a cold rain: chance, if I can call it chance, made me pass under her windows. Night was falling and I went along, my eyes full of tears fixed on the window of her room. Suddenly the curtains were just drawn aside, as if to give a glimpse into the square, then instantly closed again. I felt within me a physical movement about the heart. I was unable to support myself and took refuge under the gateway of the next house. A thousand feelings crowd upon my soul. Chance may have produced this movement of the curtains; but oh! if it was her hand that had drawn them aside.
There are two misfortunes in the world: passion frustrated and the "dead blank."
In love—I feel that two steps away from me exists a boundless happiness, something beyond all my prayers, which depends upon nothing but a word, nothing but a smile.
Passionless like Schiassetti, on gloomy days I see happiness nowhere, I come to doubt if it exists for me, I fall into depression. One ought to be without strong passions and have only a little curiosity or vanity.
It is two o'clock in the morning; I have seen that little movement of the curtain; at six o'clock I paid some calls and went to the play, but everywhere, silent and dreaming, I passed the evening examining this question: "After so much anger with so little foundation (for after all did I wish to offend her and is there a thing on earth which the intention does not excuse?)—has she felt a moment of love?"
Poor Salviati, who wrote the preceding lines on his Petrarch, died a short time after. He was the intimate friend of Schiassetti and myself; we knew all his thoughts, and it is from him that I have all the tearful part of this essay. He was imprudence incarnate; moreover, the woman, for whom he went to such wild lengths, is the most interesting creature that I have met. Schiassetti said to me: "But do you think that that unfortunate passion was without advantages for Salviati? To begin with, the most worrying of money troubles that can be imagined came upon him. These troubles, which reduced him to a very middling fortune after his dazzling youth, and would have driven him mad with anger in any other circumstances, crossed his mind not once in two weeks.
"And then—a matter of importance of a quite different kind for a mind of his range—that passion is the first true course of logic, which he ever had. That may seem peculiar in a man who has been at Court; but the fact is explained by his extreme courage. For example, he passed without winking the day of ——, the day of his undoing; he was surprised then, as in Russia[(16)], not to feel anything extraordinary. It is an actual fact, that his fear of anything had never gone so far as to make him think about it for two days together. Instead of this callousness, the last two years he was trying every minute to be brave. Before he had never seen danger.