The Charterhouse of Parma, Volume 1

by Stendhal

The Marchesa Balbi, a young woman of five-and-twenty, might still have passed for the most perfect type of leggiadria italiana, two or three years before the arrival of the Duchessa Sanseverina at Parma. As it was, she had still the finest eyes in the world and the most charming airs, but, viewed close at hand, her skin was netted with countless fine little wrinkles which made the Marchesa look like a young grandmother. Seen from a certain distance, in the theatre for instance, in her box, she was still a beauty, and the people in the pit thought that the Prince shewed excellent taste. He spent every evening with the Marchesa Balbi, but often without opening his lips, and the boredom she saw on the Prince's face had made this poor woman decline into an extraordinary thinness. She laid claim to an unlimited subtlety, and was always smiling a bitter smile; she had the prettiest teeth in the world, and in season and out, having little or no sense, would attempt by an ironical smile to give some hidden meaning to her words. Conte Mosca said that it was these continual smiles, while inwardly she was yawning, that gave her all her wrinkles. The Balbi had a finger in every pie, and the State never made a contract for 1,000 francs without there being some little ricordo (this was the polite expression at Parma) for the Marchesa. Common report would have it that she had invested six millions in England, but her fortune, which indeed was of recent origin, did not in reality amount to 1,500,000 francs. It was to be out of reach of her stratagems, and to have her dependent upon himself, that Conte Mosca had made himself Minister of Finance. The Marchesa's sole passion was fear disguised in sordid avarice: "I shall die on straw!" she used occasionally to say to the Prince, who was shocked by such a remark. The Duchessa noticed that the ante-room, resplendent with gilding, of the Balbi's palazzo, was lighted by a single candle which guttered on a priceless marble table, and that the doors of her drawing-room were blackened by the footmen's fingers.

"She received me," the Duchessa told her lover, "as though she expected me to offer her a gratuity of 50 francs."

The course of the Duchessa's successes was slightly interrupted by the reception given her by the shrewdest woman of the court, the celebrated Marchesa Raversi, a consummate intriguer who had established herself at the head of the party opposed to that of Conte Mosca. She was anxious to overthrow him, all the more so in the last few months, since she was the niece of the Duca Sanseverina, and was afraid of seeing her prospects impaired by the charms of his new Duchessa. "The Raversi is by no means a woman to be ignored," the Conte told his mistress; "I regard her as so far capable of sticking at nothing that I separated from my wife solely because she insisted on taking as her lover Cavaliere Bentivoglio, a friend of the Raversi." This lady, a tall virago with very dark hair, remarkable for the diamonds which she wore all day, and the rouge with which she covered her cheeks, had declared herself in advance the Duchessa's enemy, and when she received her in her own house made it her business to open hostilities. The Duca Sanseverina, in the letters he wrote from ——, appeared so delighted with his Embassy, and above all, with the prospect of the Grand Cordon, that his family were afraid of his leaving part of his fortune to his wife, whom he loaded with little presents. The Raversi, although definitely ugly, had for a lover Conte Baldi, the handsomest man at court; generally speaking, she was successful in all her undertakings.

The Duchessa lived in the greatest style imaginable. The palazzo Sanseverina had always been one of the most magnificent in the city of Parma, and the Duca, to celebrate the occasion of his Embassy and his future Grand Cordon, was spending enormous sums upon its decoration; the Duchessa directed the work in person.

The Conte had guessed aright; a few days after the presentation of the Duchessa, young Clelia Conti came to court; she had been made a Canoness. In order to parry the blow which this favour might be thought to have struck at the Conte's influence, the Duchessa gave a party, on the pretext of throwing open the new garden of her palazzo, and by the exercise of her most charming manners made Clelia, whom she called her young friend of the Lake of Como, the queen of the evening. Her monogram was displayed, as though by accident, upon the principal transparencies. The young Clelia, although slightly pensive, was pleasant in the way in which she spoke of the little adventure by the Lake, and of her warm gratitude. She was said to be deeply religious and very fond of solitude. "I would wager," said the Conte, "that she has enough sense to be ashamed of her father." The Duchessa made a friend of this girl; she felt attracted towards her, she did not wish to appear jealous, and included her in all her pleasure parties; after all, her plan was to seek to diminish all the enmities of which the Conte was the object.

Everything smiled on the Duchessa; she was amused by this court existence where a sudden storm is always to be feared; she felt as though she were beginning life over again. She was tenderly attached to the Conte, who was literally mad with happiness. This pleasing situation had bred in him an absolute impassivity towards everything in which only his professional interests were concerned. And so, barely two months after the Duchessa's arrival, he obtained the patent and honours of Prime Minister, honours which come very near to those paid to the Sovereign himself. The Conte had complete control of his master's will; they had a proof of this at Parma by which everyone was impressed.

To the southeast, and within ten minutes of the town rises that famous citadel so renowned throughout Italy, the main tower of which stands one hundred and eighty feet high and is visible from so far. This tower, constructed on the model of Hadrian's Tomb, at Rome, by the Farnese, grandsons of Paul III, in the first half of the sixteenth century, is so large in diameter that on the platform in which it ends it has been possible to build a palazzo for the governor of the citadel and a new prison called the Farnese tower. This prison, erected in honour of the eldest son of Ranuccio-Ernesto II, who had become the accepted lover of his stepmother, is regarded as a fine and singular monument throughout the country. The Duchessa was curious to see it; on the day of her visit the heat was overpowering in Parma, and up there, in that lofty position, she found fresh air, which so delighted her that she stayed for several hours. The officials made a point of throwing open to her the rooms of the Farnese tower.

The Duchessa met on the platform of the great tower a poor Liberal prisoner who had come to enjoy the half-hour's outing that was allowed him every third day. On her return to Parma, not having yet acquired the discretion necessary in an absolute court, she spoke of this man, who had told her the whole history of his life. The Marchesa Raversi's party seized hold of these utterances of the Duchessa and repeated them broadcast, greatly hoping that they would shock the Prince. Indeed, Ernesto IV was in the habit of repeating that the essential thing was to impress the imagination. "Perpetual is a big word," he used to say, "and more terrible in Italy than elsewhere": accordingly, never in his life had he granted a pardon. A week after her visit to the fortress the Duchessa received a letter commuting a sentence, signed by the Prince and by his Minister, with a blank left for the name. The prisoner whose name she chose to write in this space would obtain the restoration of his property, with permission to spend the rest of his days in America. The Duchessa wrote the name of the man who had talked to her. Unfortunately this man turned out to be half a rogue, a weak-kneed creature; it was on the strength of his confessions that the famous Ferrante Palla had been sentenced to death.

The unprecedented nature of this pardon set the seal upon Signora Sanseverina's position. Conte Mosca was wild with delight; it was a great day in his life and one that had a decisive influence on Fabrizio's destiny. He, meanwhile, was still at Romagnano, near Novara, going to confession, hunting, reading nothing, and paying court to a lady of noble birth, as was laid down in his instructions. The Duchessa was still a trifle shocked by this last essential. Another sign which boded no good to the Conte was that, while she would speak to him with the utmost frankness about everyone else, and would think aloud in his presence, she never mentioned Fabrizio to him without first carefully choosing her words.

"If you like," the Conte said to her one day, "I will write to that charming brother you have on the Lake of Como, and I will soon force that Marchese del Dongo, if I and my friends in a certain quarter apply a little pressure, to ask for the pardon of your dear Fabrizio. If it be true, as I have not the least doubt that it is, that Fabrizio is somewhat superior to the young fellows who ride their English thoroughbreds about the streets of Milan, what a life, at eighteen, to be doing nothing with no prospect of ever having anything to do! If heaven had endowed him with a real passion for anything in the world, were it only for angling, I should respect it; but what is he to do at Milan, even after he has obtained his pardon? He will get on a horse, which he will have had sent to him from England, at a certain hour of the day; at another, idleness will take him to his mistress, for whom he will care less than he will for his horse. . . . But, if you say the word, I will try to procure this sort of life for your nephew."