"Yes, that is the first thing to do: forget Fabrizio! And not the least trace of anger with the Prince; I must resume my ordinary gaiety, which will seem all the more attractive to these souls of mud, in the first place because I shall appear to be submitting with good grace to their Sovereign's will, secondly because, so far from laughing at them, I shall take good care to bring out all their pretty little qualities; for instance, I shall compliment Conte Zurla on the beauty of the white feather in his hat, which he has just had sent him from Lyons by courier, and which keeps him perfectly happy.
"Choose a lover from the Raversi's party. . . . If the Conte goes, that will be the party in office; there is where the power will lie. It will be a friend of the Raversi that will reign over the citadel, for Fabio Conti will take office as Minister. How in the world will the Prince, a man used to good society, a man of intelligence, accustomed to the charming collaboration of the Conte, be able to discuss business with that ox, that king of fools, whose whole life has been occupied with the fundamental problem: ought His Highness's troops to have seven buttons on their uniform, in front, or nine? It is all those brute beasts thoroughly jealous of myself, and that is where you are in danger, dear Fabrizio, it is those brute beasts who are going to decide my fate and yours! Well then, shall I not allow the Conte to hand in his resignation? Let him remain, even if he has to submit to humiliations. He always imagines that to resign is the greatest sacrifice a Prime Minister can make; and whenever his mirror tells him he is growing old, he offers me that sacrifice: a complete rupture, then; yes, and reconciliation only in the event of its being the sole method of prevailing upon him not to go. Naturally, I shall give him his dismissal in the friendliest possible way; but, after his courtierlike omission of the words unjust proceedings in the Prince's note, I feel that, if I am not to hate him, I need to spend some months without seeing him. On that decisive evening, I had no need of his cleverness; he had only to write down what I dictated to him, he had only to write those words which I had obtained by my own strength of character: he was led away by force of habit as a base courtier. He told me next day that he could not make the Prince sign an absurdity, that we should have had letters of grace; why, good God, with people like that, with those monsters of vanity and rancour who bear the name Farnese, one takes what one can get."
At the thought of this, all the Duchessa's anger was rekindled. "The Prince has betrayed me," she said to herself, "and in how dastardly a way! There is no excuse for the man: he has brains, discernment, he is capable of reasoning; there is nothing base in him but his passions. The Conte and I have noticed it a score of times; his mind becomes vulgar only when he imagines that some one has tried to insult him. Well, Fabrizio's crime has nothing to do with politics, it is a trifling homicide, just like a hundred others that are reported every day in his happy States, and the Conte has sworn to me that he has taken pains to procure the most accurate information, and that Fabrizio is innocent. That Giletti was certainly not lacking in courage: finding himself within a few yards of the frontier, he suddenly felt the temptation to rid himself of an attractive rival."
The Duchessa paused for a long time to consider whether it were possible to believe in Fabrizio's guilt, not that she felt that it would have been a very grave sin in a gentleman of her nephew's rank to rid himself of the impertinence of a mummer; but, in her despair, she was beginning to feel vaguely that she would be obliged to fight to prove Fabrizio's innocence. "No," she told herself finally, "here is a decisive proof: he is like poor Pietranera, he always has all his pockets stuffed with weapons, and that day he was carrying only a wretched singled-barrelled gun, and even that he had borrowed from one of the workmen.
"I hate the Prince because he has betrayed me, and betrayed me in the most dastardly fashion; after his written pardon, he had the poor boy seized at Bologna, and all that. But I shall settle that account." About five o'clock in the morning, the Duchessa, crushed by this prolonged fit of despair, rang for her women; who screamed. Seeing her on her bed, fully dressed, with her diamonds, pale as the sheet on which she lay and with closed eyes, it seemed to them as though they beheld her laid out in state after death. They would have supposed that she had completely lost consciousness had they not remembered that she had just rung for them. A few rare tears trickled from time to time down her insentient cheeks; her women gathered from a sign which she made that she wished to be put to bed.
A BREACH
Twice that evening after the party at the Minister Zurla's, the Conte had called on the Duchessa; being refused admittance, he wrote to her that he wished to ask her advice as to his conduct. Ought he to retain his post after the insult that they had dared to offer him? The Conte went on to say: "The young man is innocent; but, were he guilty, ought they to arrest him without first informing me, his acknowledged protector?" The Duchessa did not see this letter until the following day.
The Conte had no virtue; one may indeed add that what the Liberals understand by virtue (seeking the greatest happiness of the greatest number) seemed to him silly; he believed himself bound to seek first and foremost the happiness of Conte Mosca della Rovere; but he was entirely honourable, and perfectly sincere when he spoke of his resignation. Never in his life had he told the Duchessa a lie; she, as it happened, did not pay the slightest attention to this letter; her attitude, and a very painful attitude it was, had been adopted: to pretend to forget Fabrizio; after that effort, nothing else mattered to her.
Next day, about noon, the Conte, who had called ten times at the palazzo Sanseverina, was at length admitted; he was appalled when he saw the Duchessa. . . . "She looks forty!" he said to himself; "and yesterday she was so brilliant, so young! . . . Everyone tells me that, during her long conversation with Clelia Conti, she looked every bit as young and far more attractive."
The Duchessa's voice, her tone were as strange as her personal appearance. This tone, divested of all passion, of all human interest, of all anger, turned the Conte pale; it reminded him of the manner of a friend of his who, a few months earlier, when on the point of death, and after receiving the Last Sacrament, had sent for him to talk to him.