Ukraine, the land and its people

by Stepan Rudnytskyi

When we speak of culture as a distinguishing mark of a specific nation, we mean, of course, not culture in the [[191]]widest sense of the word, but those well-known cultural peculiarities which characterise every European nation.

The Ukraine lies wholly within the confines of the greater European cultural community. But its distance from the great culture-centers of Western and Central Europe has, of course, not been without profound effect. The Ukraine is at a low stage of culture, and must be measured by Eastern European standards.

The Ukraine, which in the 11th Century caused great astonishment among travelers from Western Europe, because of its comparatively high culture, can now be counted only as one of the semi-cultural countries of Europe. The very low stage of material culture, to which the economic conditions of the country bear the best witness, is characteristic of the Ukraine in its entire extent. The intellectual culture of the people appears frightfully low. The number who know how to read are 172 out of a thousand in Volhynia, 155 in Podolia, 181 in Kiev, 259 in Kherson, 184 in Chernihiv, 169 in Poltava, 168 in Kharkiv, 215 in Katerinoslav, 279 in Tauria, and 168 in Kuban. These hopeless figures, to be sure, are only a result of the exclusive use of the Russian language, which is unintelligible to the Ukrainians, in all the schools. Even in the first school-year, it is not permitted to explain the most unintelligible words of the foreign language in Ukrainian. This frightfully low grade of education of the people permits of no progress in the economic life of the country. Even the most well-meaning efforts of the government or the Zemstvo, break on the brazen wall of illiteracy and ignorance of the Russian language. And Ukrainian books of instruction and information are forbidden as dangerous to the state. No wonder, then, that the Ukrainian farmer tills his field, raises his cattle, carries on his home industries, cures his ills, etc., just as his forefathers used to do. There is a small number of the educated who are still cultivating [[192]]literature and art, feebly enough for the size of the nation—but how could one speak of a distinct, independent culture here?

And yet it exists. For the low stage of culture which every foreign tourist, who only knows the railroads and cities, immediately notices, applies only to the culture created in the Ukraine by the ruling foreign peoples, together with the small mass of Ukrainian intelligenzia. (The intellectual culture of the Ukrainian educated classes will be discussed later). In the same way, every hasty observer would consider the Ukrainian peasant as a semi-European, standing on a very low level of culture. And yet this illiterate peasant possesses an individual popular culture, far exceeding the popular cultures of the Poles, Russians and White Russians. The settlements, buildings, costumes, the nourishment and mode of life of the Ukrainian peasant stand much higher than those of the Russian, White Russian and Polish peasant. Hence, the Ukrainian peasant easily and completely assimilates all peasant settlers in his own land. The rich ethnological life, the unwritten popular literature and popular music which, perhaps, have no counterpart in Europe, the highly developed popular art and standard of living, preserve the Ukrainian peasant from denationalization, even in his most distant colonies. The power of opposition to Russification is particularly great. The Ukrainian peasant never enters into mixed marriages with the Russian muzhik, and hardly ever lives in the same village with him. The ethnological culture of the Ukrainian people is, by all means, original and peculiar; entirely different from the popular cultures of all the neighboring peoples.

Even in prehistoric times, Ukrainian territory was the seat of a very high culture, the remains of which, now brought to light, astonish the investigator thru their loftiness and beauty. In ancient times the early Greek [[193]]cultural influences flourished in the Southern Ukraine, then the Roman, and in the Middle Ages the Byzantine. Byzantine culture had a great influence upon ancient Ukrainian culture, and its traces may still be seen in the popular costume and in ornamentation.

The most important element in Ukrainian culture, however, is entirely peculiar, and independent of these influences. The entire view of life of the common man, to this day, has its roots in the pre-Christian culture of the ancient Ukraine. The entire creative faculty of the spirit of the nation has its source there; all the customs and manners and very many of the songs and sayings. Christianity did not destroy the old view of life in the Ukraine, but was adapted to it. This accommodation was all the easier, because the character of the ancient faith and philosophy of life of the Ukrainian people were not so gloomy and cruel as was the case with many of the other peoples of Europe.

Outside of the prehistoric, Byzantine and Christian body of culture, we observe extremely few foreign influences in the popular culture of the Ukraine. It is highly independent and individualized. The Polish and Muscovite influences are very insignificant, and appear only here and there in the borderlands of the Ukraine.

It would require the giving of a detailed ethnological description of the Ukrainian people if we wished to draw a complete picture of its peculiar culture. Such a description has no place in geography, and certainly none in a book of such general nature as this. Therefore, I shall discuss but briefly the various phases of the popular culture of the Ukraine, so that in this respect, too, the independent position of the Ukrainians among the peoples of Eastern Europe may appear in the proper light.

The Ukrainian villages (with the exception of the mountain villages, which consist of a long irregular line of [[194]]farms) are always built picturesquely, in pretty places. The huts of a typical Ukrainian village are always surrounded by orchards, which is hardly ever the case among the Russians and White Russians, and very rarely so among the Poles. These neighbors of the Ukrainians plant orchards only in the few regions where professional fruit-growing has developed. In a Ukrainian village, the green of the orchards is considered absolutely necessary. The Russian will not endure trees in the neighborhood of his hut; they obstruct his view. In the Ukraine an orchard is an indispensable constituent part of even the poorest peasant homestead. And the separate farms, in which very much of the spirit of the glorious national past still lives, are hidden in the fresh green of fruit orchards and apiaries.

The Ukrainian house is built of wood only in the mountains and other wooded areas. In all other regions it is made of clay and covered with straw. The front windows are always built facing the south. In this way, different sides of the houses face the street, and in general, too, street life does not play so important a part in a Ukrainian village as it does in Polish, White Russian or Russian villages. The Ukrainian houses are always well fenced in, altho not so strongly and so high as the Russian houses in the forest zone, or as the White Russian houses. They usually stand (except in Western Podolia) rather far apart. Thus, the danger of fire is less than in the Russian villages of the Chornozyom region, where the huts lie very close together. As a result, the insurance companies, for instance, charge smaller premiums in the Governments of Kursk and Voroniz for insuring Ukrainian village properties than for Russian.