(7) The Assuring Message, Ch. 1:17-20
The Gracious Savior reassures John, who fell at his feet as one who was dead, both by his touch and by his words as of old on the holy mount (Mat. 17:7); declaring that he, the Son of Man, is the first cause, and final arbiter of destiny, the ever living one though once dead; affirming that he has the keys of death and of Hades,[320] i. e. through his own resurrection has forever gained the power over death, holding the key of its control, and has also the key of Hades, the invisible spirit-world, which is commonly associated with death in the New Testament [pg 098] as the general habitation of the dead during the intermediate state (not “hell”, as in the Authorized Version); and reaffirming the command to John to write therefore the things which he saw in a book, viz. “the things which are”, i. e. which now exist, looked at from the divine point of view as beheld in the vision, and “the things which shall come to pass hereafter”, i. e. which shall be made manifest in history, those things that belong to the mystery[321] of the seven stars and the seven golden candlesticks, or to the mysterious and hidden future of the church of Christ in the world which the seven churches represent in its ideal unity.
The change of symbols in this vision is apt to be confusing unless we catch the distinctive meaning of each. Three different symbols are here used to represent the churches, each presenting a different point of view, viz:—(1) the angels, who represent the churches in their individual and organic life, engaged in active service for God; (2) the stars, which represent the churches in their relation to Christ, receiving and reflecting light from him and upheld by his hand; and (3) the candlesticks, which represent the churches in their relation to the world, bearing light to men upon the earth. If these distinctions are kept in mind the interpretation will be greatly simplified. At this point it may also be well to note that the view which regards the visions in the Revelation as purely literary in origin, fails to satisfy the circumstantial account of John. On the contrary we find it is more in accord with the spirit of the record to regard them not as literary inventions in which the message is clothed, but as true visions divinely given which were, nevertheless, essentially adapted to and conditioned by the previous mental training and habits of the writer—the product of an ethical and not a magical inspiration. In fact the reality of the visions is in some sense coming now to be recognized upon psychological grounds as the natural view.[322] And it should also be seen that the studied literary setting of the visions, indicating arrangement and design upon [pg 099] the part of the seer in his record of them, does not militate against the view that the visions were real and the experience recorded an actual one. But, “even were the supposition correct that the seer had only certain truths divinely impressed upon his mind, which his poetic fancy led him to clothe in the shapes before us, it would in no degree modify either the extent of his inspiration or the value of his teaching”.[323]
4 The Seven Epistles, Ch. 2:1-3:22
The seven epistles are Christ's messages of encouragement and warning, of praise and blame, which were given to John in vision, and which are addressed to the seven churches of proconsular Asia,[324] the scene of John's later ministry, and through them to the church at large, for each epistle contains not only a message to the particular church, but “what the Spirit saith to [all] the churches”. The form of epistles or letters in an apocalypse was foreign to the Jewish method of writing, but was doubtless introduced by John because the use of such letters or epistles had already become established in the church as a characteristic expression of the Christian mind.[325] These seven churches were not the only ones then existing in Asia,[326] but were evidently chosen to represent them all, and were intended through their individual experience “to exemplify the experience of the whole church in the field of history”; not, however, in numerically successive and historic stages, but the general experience of the church universal throughout all time, for seven is the symbol of universality, and the seven churches are here intended to symbolize the universal church. Each of the seven churches named occupied a strategic point of special opportunity for gospel dispersion, and they were doubtless addressed for that reason, though the message imparted was divinely intended for the whole church in all the ages. The number seven occurs so often in the Revelation that it necessarily attracts our attention, and the book itself has not inaptly been styled “the Book of Sevens”. [pg 100] In each case, too, as here, the number has a symbolic reference, a fact that should not escape our observation, for it points the way to a general principle of interpretation, viz. that every number used throughout the book, without exception, has an acquired symbolical meaning,[327] i. e. its ordinary arithmetical value is ignored, or becomes subordinate, and it represents a different idea that has in some way become associated with it as a number; and this important consideration often furnishes a key to the correct interpretation. The origin of this symbolism is very early, antedating history—seven, for example, was a sacred number with the Accadian predecessors of the Semites in the remote dawn of Babylonian civilization.[328] This use probably had its rise from observations of the heavenly bodies, such as the phases of the moon lasting seven days, the seven planets of ancient astronomy, and the Pleiades, together with the occurrence of seven as a factor in gestation and in other well known phenomena, all of which served to impress upon the Eastern mind that the number was somehow inwrought in the order of nature and must therefore have a special significance. In a similar way the number ten probably had its origin as a symbol in the fact that it represented the complete number of digits on a man's hands, and formed the norm of mathematical reckoning. Other numbers, also, from some real or fancied relation to things, became ready symbols for the Oriental mind. In the Apocalypse numbers are often introduced first in their ordinary significance, as the seven churches, and then pass easily and naturally to their symbolic meaning which is usually apparent. But it should be seen that a number does not thereby cease to have a quantitative value when it becomes symbolical, e. g. the seven churches represent a number still, though it is the number of all the churches, the whole church, and not seven units as before. It is the definite numerical value only that is lost in the symbolism, and not the entire idea of number or quantity; and the failure to recognize this fact may lead us astray in the interpretation, as for instance, in that of the thousand years in chapter twenty, where a great and complete number of years seems to be meant, and not the completeness of Satan's [pg 101] binding apart from any period of time, as held by some commentators.[329]
Each epistle is addressed to the angel of the individual church which is named, i. e. to its heavenly representative, the church personified in the form of an angel according to the prevailing symbolism of the book, a poetic form of addressing the church itself; and the message is given by authority of Christ himself,[330] who is described in veiled terms that are drawn mainly from the imagery of the preceding vision, where the exalted Redeemer is so vividly set forth; and the terms are aptly chosen to suit the particular needs of the church to which it is sent. It has been suggested, also, that these epistles to the churches contain numerous historical allusions to events connected with the cities in which the churches were located, as for example Sardis, whose fortress had been twice captured while its people slept, is exhorted to be watchful.[331] The epistles are addressed first to the individual and historic churches named, and then through them are addressed to the whole church throughout the world, of which the number seven is representative. Each of the epistles contains seven component parts, viz:—(1) the address to the individual church, i. e. to the angel of the church who represents the church itself; (2) the command of Christ to the seer to write; (3) the title of Christ, usually taken from the vision of the glorified Redeemer in the opening chapter; (4) the praise or blame for good or ill, given to the church for the conduct of the past; (5) the divine charge or warning against special forms of sin; (6) the promise of blessing to the victors; and (7) the call to each individual Christian to hear and heed. The order in which the churches are addressed is that of a geographical circuit beginning at Ephesus, the first city of Asia, and going northward, which seems also to have been the order of their importance from the chief city downward. The literary form of this section may be regarded as a reflection or echo of the manner of the opening [pg 102] part of the rhapsody of Amos where recurrent formulæ of doom on seven nations are given (Amos ch. 1-2).[332]