A Bible School Manual: Studies in the Book of Revelation / An introduction, analysis, and notes, containing a concise interpretation according to the symbolic view, numerous references to authorities, and general mention of other interpretations, with the text of the American revised version edited in paragraphs, for the use of Bible students

by Stephen Alexander Hunter

5 The Pouring Out of the Fifth Vial, Ch. 16:10-11

The fifth angel poured out his vial upon the throne of the Beast; and his kingdom was darkened; and men gnawed their tongues for pain, and blasphemed the God of heaven, and they repented not of their works: the symbol of wrath poured out on the throne of the Beast as the representative of Satan's power in the world, thus afflicting the worshippers of the Beast and his image. Under the fifth vial it will be seen that the plagues pass from the physical to the spiritual sphere of action, just as they did in the seals and trumpets; and they are found to be cumulative rather than successive, while, as under the preceding vial, they do not lead to repentance but to wrath and punishment. Also, throughout the vials, it is not the third part only that is affected, as under the trumpets, but the punishment falls upon the whole created world, showing the universal character of the judgments.

6 The Pouring Out of the Sixth Vial, Ch. 16:12

The sixth angel poured out his vial upon the great river, the Euphrates; and the water thereof was dried up,[501] that the way might be made ready for the kings that come from the sunrising: the symbol of wrath poured out on the Euphrates, the center and seat of heathenism, or on the world-forces of evil, thereby opening the way for the influx of the Kings of the East to march to their ruin. The Kings of the East evidently belong to the “kings of the whole world” (v. 14), and are instruments of the Dragon and of the Beast who go up to war, not against Babylon, but against believers.[502] The Euphrates was the center and stronghold of heathenism to the Jewish mind, and behind that lay the indefinite world-power which is here represented by the Kings of the East; upon these the angel poured out the vial of the retributive wrath of God.

[At this point the Episode Vb, given in verses thirteen to sixteen, occurs in the order of the vision,—a paragraph which though of limited extent has yet a clear relation to the course of the vials as an intervening vision of warning to the redeemed, and preparing the way for the approaching end.]

7 The Pouring Out of the Seventh Vial, Ch. 16:17-21

The seventh angel poured out his vial upon the air; and there came forth a great voice out of the temple, from the throne, saying, “It is done:[503] and there were lightnings, and voices, and thunders; and there was a great earthquake, such as was not since there were men upon the earth”: the symbol of wrath poured out on the air as the familiar abode of evil spirits,[504] and also of the coming of the End, which is depicted by the fall of cities, especially of Babylon the great city, the type of the godless world, which is divided asunder into three parts, a symbol of completeness,—also three a symbol of the divine, perhaps implying God hath wrought it,—and is [pg 190] given to drink of the cup of the wine of the fierceness of God's wrath; by the destruction of islands and mountains, and by a plague of great hail, exceeding great, every stone of which was about the weight of a talent, i. e. from 108 to 130 pounds; “and men blasphemed God because of the plague of the hail”.[505] The End itself is unrecorded; but with the infliction of the seven vials it is declared that “the wrath of God is spent”.[506] The whole course of the vials is toward the End, which though not described, yet stands out in singular prominence as the inevitable result of the ruin wrought by sin; and here, as in the vision of the trumpets, the millennial period is not brought into view as a preceding stage. The transition to the scene of victory in the seventeenth chapter is after this immediately made by one of the vial-angels (ch. 17:1).

If we now recall the path of the seven vials, we can see how in their course they rapidly and intensively press on to the end of the ages and to the final ruin of the world, and also how they aptly prefigure the progressive punitive inflictions of God for sin. They are both world-wide in their character and relentless in their execution. They fall upon the land, and upon the sea, upon the rivers and fountains of waters, and upon the sun the source of light,—the figurative representatives of the created universe. Then, like the judgments of the seals and of the trumpets, they pass from the natural world to the sphere of the spiritual, and are seen to fall upon the far-reaching kingdom of the Beast, i. e. upon the world-powers operating under Satan's direction in open hostility to the church; afterward they fall upon the Euphrates, the old center of heathenism and seat of spiritual darkness in the far East, the typical center of the world-forces of evil; and finally under the seventh vial they lead to the end of the world, the conclusion of the centuries, and the day of complete recompense for sin. The distinction between the kingdom of the Beast, i. e. the world-powers of all time, and the forces represented by the Euphrates, the center and seat of heathenism, is not so clearly drawn under the fifth and sixth vials, as that between Satan [pg 191] with his host, and the world-forces of heathenism, under the fifth and sixth trumpets. But the kingdom of the Beast, here, as elsewhere, evidently represents the world-kingdoms in their organized form (or if taken in a narrower sense the then kingdom of Rome that foreshadowed them all), which forces are spiritually opposed to the kingdom of God; whereas the Euphrates, the center and seat of spiritual darkness in the historic past, apparently represents heathenism in the great East, which is here regarded as a far-reaching spiritual force operating against Christianity—the judgments under these vials falling upon the world-force operating in the sphere of the spiritual, and upon the world-religions opposing Christianity. And no one surely can read the record of the vials without being impressed with the unerring certainty and absolute terror of the final punishment for sin; so that even if the vision of the vials did point primarily, as most preterists insist, to the destruction of Rome and its temporal power, it surely points yet more decisively to the great era of judgment upon the powers of evil that culminates in the closing period of human history. The vision depicts God punishing the evil in a progressive course to the very end, and this end is only effectively reached in the day of final judgment.