In the excesses of the Reign of Terror three or four thousand persons perished. Their deaths were spectacular, and have covered with execrations their dreadful executioners.
But it is right that we should remember, Antony, the life-long agony and the unutterable despair of the victims of that remorselessly cruel system which the Revolution overthrew.
The chapter on the "Everlasting Yea," in Sartor Resartus, seems to me to come nearer to the above excerpts than anything else in Carlyle, though at a perceptible distance:—
"O thou that pinest in the imprisonment of the Actual, and criest bitterly to the gods for a kingdom wherein to rule and create, know this of a truth: the thing thou seekest is already with thee, 'here or nowhere,' couldst thou only see!
"But it is with man's Soul as it was with Nature: the beginning of Creation is—Light. Till the eye have vision the whole members are in bonds. Divine moment, when over the tempest-tossed Soul, as once over the wild-weltering Chaos, it is spoken: 'Let there be Light!' Even to the greatest that has felt such moment is it not miraculous and God-announcing; even as, under simpler figures, to the simplest and least. The mad primeval Discord is hushed; the rudely-jumbled conflicting elements bind themselves into separate Firmaments: deep, silent rock-foundations are built beneath, and the skyey vault, with its everlasting Luminaries, above; instead of a dark, wasteful Chaos, we have a blooming, fertile, heaven-encompassed World.
"I, too, could now say to myself: 'Be no longer a Chaos, but a World, or even Worldkin. Produce! Produce! Were it but the pitifullest infinitesimal fraction of a Product, produce it, in God's name! 'Tis the utmost thou hast in thee; out with it then. Up, up! Whatsoever thy hand findeth to do, do it with thy whole might. Work while it is called to-day; for the night cometh wherein no man can work.'"
There is another passage in Sartor Resartus which I have always held in veneration, though the field labourer is not now so "hardly-entreated" as when Carlyle wrote of him:—
"Two men I honour, and no third. First the toilworn Craftsman that with earth-made implement laboriously conquers the earth, and makes her man's.
"Venerable to me is the hard hand; crooked, coarse; wherein notwithstanding lies a cunning virtue indefeasibly royal, as of the sceptre of this planet. Venerable too is the rugged face, all weather-tanned, besoiled, with its rude intelligence; for it is the face of a man living manlike. Oh, but the more venerable for thy rudeness, and even because we must pity as well as love thee! Hardly-entreated brother! For us was thy back so bent, for us were thy straight limbs and fingers so deformed; thou wert our conscript, on whom the lot fell, and fighting our battles wert so marred. For in thee too lay a god-created form, but it was not to be unfolded; encrusted must it stand with the thick adhesions and defacements of labour; and thy body, like thy soul, was not to know freedom. Yet toil on, toil on; thou art in thy duty, be out of it who may: thou toilest for the altogether indispensable, for daily bread.
"A second man I honour, and still more highly: him who is seen toiling for the spiritually indispensable; not daily bread, but the bread of life. Is not he too in his duty; endeavouring towards inward harmony; revealing this, by act or by word, through all his outward endeavours, be they high or low? Highest of all, when his outward and his inward endeavour are one: when we can name him artist; not earthly craftsman only, but inspired thinker, who with heaven-made implement conquers heaven for us! If the poor and humble toil that we have food, must not the high and glorious toil for him in return, that he have light, have guidance, freedom, immortality? These two, in all their degrees, I honour; all else is chaff and dust, which let the wind blow whither it listeth.