"Sir, you have been contending at some length that the puzzling situations which form the basis of our dramas of the day could not possibly occur in real life because five minutes of intelligent explanation between the persons concerned would destroy the silly mystery before anything at all could happen. Your originality, sir, is famous—need I say it?—and when I hear you champion this opinion in all its majesty of venerable age and general acceptance I feel stunned by the colossal imbecile strength of the whole proposition. Why, sir, you may recall all the mysterious murders which occurred in England since England had a name. The truth of them remains in unfathomable shadow. But, sir, any one of them could be cleared up in five minutes' intelligent explanation. Pontius Pilate could have been saved his blunder by far, far, far less than five minutes of intelligent explanation. But—mark ye!—but who has ever heard five minutes of intelligent explanation? The complex interwoven mesh of life constantly, eternally, prevents people from giving intelligent explanations. You sit in the theatre, and you say to yourself: 'Well, I could mount the stage, and in a short talk to these people I could anticipate a further continuation of the drama.' Yes, you could; but you are an outsider. You have no relations with these characters. You arise like an angel. Nobody has been your enemy; nobody has been your mistress. You arise and give the five minutes' intelligent explanation; bah! There is not a situation in life which does not need five minutes' intelligent explanation; but it does not get it."
It could now be seen that the old man Fullbil was simply aflame with a destructive reply, and even Bobbs paused under the spell of this anticipation of a gigantic answering. The literary master began very deliberately.
"My good friend Bobbs," said he, "I see your nose gradually is turning red."
The drama immediately pitched into oblivion. The room thundered with a great shout of laughter that went to the ceiling. I could see Bobbs making angry shouts against an invulnerable bank of uncontrolled merriment. And amid his victory old Fullbil sat with a vain smile on his cracked lips.
My excellent and adjacent friend turned to me in a burst of enthusiasm.
"And did you ever hear a thing so well turned? Ha, ha! 'My good friend Bobbs,' quoth he, 'I see your nose gradually is turning red.' Ha, ha, ha! By my King, I have seldom heard a wittier answer."
"Bedad!" said I, somewhat bewildered, but resolved to appreciate the noted master of wit, "it stamped the drama down into the ground. Sure, never another play will be delivered in England after that tremendous overthrow."
"Aye," he rejoined, still shuddering with mirth, "I fail to see how the dramatists can survive it. It was like the wit of a new Shakespeare. It subsided Bobbs to nothing. I would not be surprised at all if Bobbs now entirely quit the writing of plays, since Fullbil's words so closely hit his condition in the dramatic world. A dangerous dog is this Fullbil."
"It reminds me of a story my father used to tell—" I began.
"Sir," cried my new friend hastily, "I beg of you! May I, indeed, insist? Here we talk only of the very deepest matters."