WHILOMVILLE STORIES
[I]
THE ANGEL CHILD
I
ALTHOUGH Whilomville was in no sense a summer resort, the advent of the warm season meant much to it, for then came visitors from the city—people of considerable confidence—alighting upon their country cousins. Moreover, many citizens who could afford to do so escaped at this time to the sea-side. The town, with the commercial life quite taken out of it, drawled and drowsed through long months, during which nothing was worse than the white dust which arose behind every vehicle at blinding noon, and nothing was finer than the cool sheen of the hose sprays over the cropped lawns under the many maples in the twilight.
One summer the Trescotts had a visitation. Mrs. Trescott owned a cousin who was a painter of high degree. I had almost said that he was of national reputation, but, come to think of it, it is better to say that almost everybody in the United States who knew about art and its travail knew about him. He had picked out a wife, and naturally, looking at him, one wondered how he had done it. She was quick, beautiful, imperious, while he was quiet, slow, and misty. She was a veritable queen of health, while he, apparently, was of a most brittle constitution. When he played tennis, particularly, he looked every minute as if he were going to break.
They lived in New York, in awesome apartments wherein Japan and Persia, and indeed all the world, confounded the observer. At the end was a cathedral-like studio. They had one child. Perhaps it would be better to say that they had one CHILD. It was a girl. When she came to Whilomville with her parents, it was patent that she had an inexhaustible store of white frocks, and that her voice was high and commanding. These things the town knew quickly. Other things it was doomed to discover by a process.