The signal squad had an old cracker-box placed on top of the trench. When not signalling they hid the lanterns in this-box; but as soon as an order to send a message was received, it became necessary for one of the men to stand up and expose the lights. And then—oh, my eye—how the guerillas hidden in the gulf of night would turn loose at those yellow gleams!
Signalling in this way is done by letting one lantern remain stationary—on top of the cracker-box, in this case—and moving the other over to the left and right and so on in the regular gestures of the wig-wagging code. It is a very simple system of night communication, but one can see that it presents rare possibilities when used in front of an enemy who, a few hundred yards away, is overjoyed at sighting so definite a mark.
How, in the name of wonders, those four men at Camp McCalla were not riddled from head to foot and sent home more as repositories of Spanish ammunition than as marines is beyond all comprehension. To make a confession—when one of these men stood up to wave his lantern, I, lying in the trench, invariably rolled a little to the right or left, in order that, when he was shot, he would not fall on me. But the squad came off scathless, despite the best efforts of the most formidable corps in the Spanish army—the Escuadra de Guantanamo. That it was the most formidable corps in the Spanish army of occupation has been told me by many Spanish officers and also by General Menocal and other insurgent officers. General Menocal was Garcia's chief-of-staff when the latter was operating busily in Santiago province. The regiment was composed solely of practicos, or guides, who knew every shrub and tree on the ground over which they moved.
Whenever the adjutant, Lieutenant Draper, came plunging along through the darkness with an order—such as: "Ask the Marblehead to please shell the woods to the left"—my heart would come into my mouth, for I knew then that one of my pals was going to stand up behind the lanterns and have all Spain shoot at him.
The answer was always upon the instant:
"Yes, sir." Then the bullets began to snap, snap, snap, at his head while all the woods began to crackle like burning straw. I could lie near and watch the face of the signalman, illumed as it was by the yellow shine of lantern light, and the absence of excitement, fright, or any emotion at all on his countenance, was something to astonish all theories out of one's mind. The face was in every instance merely that of a man intent upon his business, the business of wig-wagging into the gulf of night where a light on the Marblehead was seen to move slowly.
These times on the hill resembled, in some days, those terrible scenes on the stage—scenes of intense gloom, blinding lightning, with a cloaked devil or assassin or other appropriate character muttering deeply amid the awful roll of the thunder-drums. It was theatric beyond words: one felt like a leaf in this booming chaos, this prolonged tragedy of the night. Amid it all one could see from time to time the yellow light on the face of a preoccupied signalman.
Possibly no man who was there ever before understood the true eloquence of the breaking of the day. We would lie staring into the east, fairly ravenous for the dawn. Utterly worn to rags, with our nerves standing on end like so many bristles, we lay and watched the east—the unspeakably obdurate and slow east. It was a wonder that the eyes of some of us did not turn to glass balls from the fixity of our gaze.
Then there would come into the sky a patch of faint blue light. It was like a piece of moonshine. Some would say it was the beginning of daybreak; others would declare it was nothing of the kind. Men would get very disgusted with each other in these low-toned arguments held in the trenches. For my part, this development in the eastern sky destroyed many of my ideas and theories concerning the dawning of the day; but then I had never before had occasion to give it such solemn attention.
This patch widened and whitened in about the speed of a man's accomplishment if he should be in the way of painting Madison Square Garden with a camel's hair brush. The guerillas always set out to whoop it up about this time, because they knew the occasion was approaching when it would be expedient for them to elope. I, at least, always grew furious with this wretched sunrise. I thought I could have walked around the world in the time required for the old thing to get up above the horizon.