"Then for God's sake don't, at least till this piece is done." The old Frenchman pulled her back, and whispered, "Why, this afternoon he was nearly beside himself. How can he work——"
"About what?" she ejaculated, glancing down at his hand on her arm.
"How should I know, if you don't?"
In the living room Brantome did not sit down. Flushed from the wine that he had drunk, striding to and fro, he began a rigmarole about "David's future." His voice was nearly ferocious when he prophesied the subjugation of the public, which might be aroused, by precisely the right persuasion, to a tumult of applause. Yes, they must all be conquered, until, as in the case of Beethoven for instance, the name of the genius appeared as though written like a portent in the sky, above the heads even of throngs that knew nothing of music, that would never hear these harmonies, but that would be filled all the same with reverential awe.
He had never before revealed this thirst for undiscriminating homage. They hardly recognized him. The old leonine fellow was transfigured, as though by megalomania. He seemed larger, and slowly made the gestures of an emperor.
He darted into the study, as Lilla said to David:
"The piece will stand up for itself, I think. He's becoming almost too ridiculous."
But in the other room Brantome began beating out fragments of Marco Polo. The familiar sounds took on a startling majesty in the atmosphere heavily charged with the player's exultation. One had an illusion that this music was irradiating from the house all over the earth. Then, in the silence, the rustle of the rain seemed a long murmur of enthusiastic comment.
Abruptly Brantome reappeared in the doorway with his mane disheveled, like a lion let out of a cage; but Lilla was too wretched to laugh at him. Now he was bursting with memories of those, since great, with whom he had chummed in his youth, when he, too, had expected to be great. He swept his listeners away to foreign studios, where they saw young men poising for flights amid the stars.
"And here," he affirmed, whirling round to Lilla, "is something better, in humor, in tragedy, in dignity, in richness of invention, in everything."