The equatorial wilds spread before the safari its wealth of extravagant hues and forms, all its perfidies veiled for the allurement of mortals who would trust nature in her richest manifestations. The sun shone on a rain-drenched world; the earth steamed; and through a mist like that which prefaced the second Biblical version of creation the splendor of the jungle seemed to be taking shape for the first time, at the command of a power for whom beauty was synonymous with peril.
Nevertheless, the safari men were singing.
Askaris led the way, Somalis in claret-colored fezzes and khaki uniforms, bare legged, with bandoliers across their chests and rifles over their shoulders. Their small, dark faces were sharp and fierce; they marched with the swing of desert men; their glances expressed their pride, their contempt for the humble, melodious horde that followed after them.
Four negroes, naked to the waist, supported a machilla, a canopied hammock of white duck that swung from a bamboo pole. They were Wasena, specially trained for this fatiguing work, maintaining a smooth step over the roughest ground. Lilla reclined in the hammock. Her face, half concealed by the fringe of the awning, appeared opalescent in the filtered sunlight. Her tapering figure had the grace of Persian queens and Roman empresses floating along in their litters on ripples of dusky muscles.
So this delicate, white product of modernity, this embodiment of civilization's perceptions and all that it pays for them, was borne at last into the primordial world on the shoulders of savages.
Behind her streamed a hundred porters balancing on their heads the personal baggage, rolled tents, chop boxes, sacks of safari food. They were men from Manica, Sofala, and Tete, some of pure strain, others with Arab and Latin blood in their veins. Their bare torsoes were the color of chocolate, of ebony, or even of saddle leather; but all their foreheads bulged out in the same way, all their noses were short and flat, all their chins receded. On their breasts and arms were charms of crocodiles' teeth and leopards' claws, to keep them safe from beasts, rheumatism, arrows, pneumonia, snake bite, and skin diseases. In the distended lobes of their ears were stuffed cigarettes, horn snuffboxes, or flowers from the port town.
They were followed by the camp servants in long, white robes, Beira-boys and Swahilis, driving before them a little flock of sheep. Parr, at the head of another squad of askaris, brought up the rear, riding a Muscat donkey. He raised his head, and his withered mouth, emerging from the shadow of his helmet, showed a melancholy smile.
He was drinking in the smell of Africa, and listening to the song of the safari.
At times the song died down into a hum. But soon a quavering falsetto was heard formulating a new motive, expressing a new thought. Other voices joined the leader's; a minor refrain swept up and down the line; and abruptly the climax swelled out in a diapason descending far into the bass. So that every one could sing, the improvisor had phrased his thoughts in Swahili, the inter-tribal language of Africa. He sang of the Bibi from afar, her skin like a bowl of milk, who was traveling as a bride to Fort Pero d'Anhaya.
"She is rich. She is the daughter of a sultan. She is ill, but she will be well. She is sad, but she will be happy. We shall eat much meat at her wedding."