In the wainscotted hall, which the stained glass of the bay-window on the staircase landing dappled every day with a prismatic light, a marble Renaissance mantelpiece supported a mounted knight of the fifteenth century in stone, a champion who brandished his sword, and raised his sightless eyes, in an invariable gesture of defiance. Across the hall from him, a wide doorway opened on the living room, illuminated from tall windows set with quaint faces in color, and having at its far end a fine old Flemish tapestry of faded greens and browns, behind a long table on which stood a bust of a Florentine noblewoman in polychrome. High sprays of flowers sprang up, here and there, above sofas and chairs upholstered in antiquated damask, and seemed to bring into this spacious room walled with fluted wood the gayety of the garden, which appeared, behind the leaded windowpanes, a riot of golden marguerites, Chilean lilies, Chinese larkspur, phlox, asters, and poppy mallows.
Next, beyond folding doors, stood David's study, a pianoforte between the mullioned windows, a large carved center table covered with portfolios and books, the paneled walls hung with framed sheets of music written and autographed by famous composers.
Upstairs, however, in her own apartment, Lilla had produced an eighteenth century air. The walls of her sitting room and bedroom were remolded in chaste panels of French gray; the new rugs and the canopied window curtains were the palest orange. Her desk, the most vivid object in her sitting room, pleased her especially—a high Venetian desk of green and gold lacquer with pigeon holes and writing shelf of gold and red. She thought of the letters that must have been written there by women with dark eyes and powdered coiffures.
Then she sighed. A look of wonder and depression was reflected by a mirror framed in gilt; and she turned to stare at a vase in which stood a bouquet of Louis XVI flowers, a soft blending of mauve, faint yellow, rose, and pale blue, all fashioned out of tin.
"Tin flowers! Great heavens, what was I thinking of?"
She had only now realized the mockery of them. She rang for a maid, and said:
"Throw this thing out."
CHAPTER XXXII
In September David began to write his tone poem, Marco Polo.