The crack regiments on both sides were however indisposed for any kind of truce. They set the tone in discipline and were far from that Charlie Chaplin attitude towards the war which characterised some others. What was the astonishment of some of the Guardsmen when "taking over" at Laventie, after Loos and Hohenzollern, to see the easy-going way of warfare which had developed. "I saw a Jerry on top of the enemy parapet working away in broad daylight as cool as could be," said a sergeant. "Of course I at once got a bead on him."
"What're you going to do? You're surely not going to fire on him?" asked one of the men of the outgoing regiment. "You'll spoil the game."
"How's that?"
"Why, they'll begin shooting at you."
"What d'you think of that?" said the sergeant. "I fired just to let them know the Guards had come."
Nevertheless even the Guards were mollified. Warfare dwindled to nothing. "Jerry" was very confiding. Christmas was coming. The war after all was not so serious and perhaps would not be renewed in the Spring. Inactivity always seems to soften opposing rank and file toward one another. It tends to bring them back to the natural human relationship. By Christmas there was a widespread popular sense for a thoroughgoing reconciliation in no-man's land. What had happened at Christmas in 1914 was the needful precedent. It was a sort of playful legend in the army. On Christmas Day there would be a going over and a shaking of hands and exchange of souvenirs and drinks. Both sides looked forward to it.
But the authorities evidently thought it dangerous. Orders to the effect that there should be no fraternisation were sent out, and a staff-officer here and there spent Christmas Eve in the trenches to see that the orders were carried out. He could not however effect very much. At ten o'clock that night the men in all the trenches both German and English were talking without restraint, and the dark muddy lines of Laventie had a voice as of some great club at night when all the members are discussing at once. Germans were shouting invitations across, British were shouting invitations; and promises were made for next day. At dawn therefore parties went over, and whole battalions might have followed them had not the artillery at once set up a barrage. It was found also that sentries on both sides had been ordered to fire. Some obeyed, some did not. One Guards sentry was proud of having fired fifteen rounds. But he did not hit anyone. Meanwhile the troops about Neuve Chapelle and Aubers got across in large bodies. Even on the Guards' front men risked their lives to shake hands. Did not one thus lose his life that morning!
There is a little old cemetery by the side of the road a mile or so from Laventie, and there lie prominently side by side two corporals of the Sixth Black Watch (Newell and Willis) and behind their graves is that of a certain Sergeant Oliver who perished on Christmas Day. A tall rose tree with crimson roses blooming even in the autumn is growing from the earth where he lies. Beside him lies one who was both captain and knight, with only a dock rising from his feet. On all graves are weeds except on that of the man who gave his life to shake hands on Christmas Day.
The winter life of 1915-16 was one of mud and frostbite in the line, and taverns and songs when out. The whole corner of Northern France about Armentières begot a sort of British character. Not that it was like any district at home. Or that the way of life resembled anything anywhere else at any time. Tommy in the estaminet, Tommy with his sing-song in billets, Tommy on the march slogging through the mud—began as it were to belong to France and to the war. He ceased to look like an imported article. He was disposed to be at home, and like Mark Tapley, that most characteristic of English types of men, to be happy even under the most melancholy circumstances. The soldier, whatever his inward sorrows, often so deep, so poignant, always kept a cheery face and had a devil-may-care smile for whatever came along. Of course he had his grousing fits. But they passed. He was most himself when singing. To France he sang all the old songs he ever knew and more besides which he invented. How vulgar, in London how banal were the songs—"vulgar songs which make you cough and blow your nose" as Kipling put it, the seemingly maudlin Hullo my dearie I want you to-night sort of song. But in France how real, how passionate! A group of men stand in the partial shelter of a shattered building crooning together whilst it rains, whilst it pours on the mud outside! In England the words which they sing are sentimental drivel, they are the barrel-organ and its handle turning, but in France they are the voice of a suppressed yearning and suffering—