So when you put on your old clothes and take to the road, you make at least a right gesture. You get into your right place in the world in the right way. Even if your tramping expedition is a mere jest, a jaunt, a spree, you are apt to feel the benefits of getting into a right relation toward God, Nature, and your fellow man. You get into an air that is refreshing and free. You liberate yourself from the tacit assumption of your everyday life.
What a relief to escape from being voter, taxpayer, authority on old brass, brother of man who is an authority on old brass, author of best seller, uncle of author of best seller.
What a relief to cease being for a while a grade-three clerk, or grade-two clerk who has reached his limit, to cease to be identified by one’s salary or by one’s golf handicap. It is undoubtedly a delicious moment when Miles the gardener seeing you coming along in tramping rig omits to touch his hat as you pass. Of course it is part of the gentle art not to be offended. It is no small part of the gentle art of tramping to learn to accept the simple and humble rôle and not to crave respect, honor, obeisance. It is a mistake to take to the wilderness clad in new plus-fours, sports jacket, West-End tie, jeweled tie pin, or in gaiters, or carrying a silver-topped cane. One should not carry visiting cards, but try to forget the three-storied house remembering Diogenes and his tub.
I suppose one should draw a distinction between professional tramping and just tramping, especially as this whole book is to be called The Gentle Art of Tramping. I am not writing of the American hobo, nor of the British casual, nor of railroaders and beach combers or other enemies of society—“won’t works” and parasites of the charitable. While among these there are many very strange and interesting exceptions, yet in general they are not highly estimable people, nor is their way of life beautiful or worth imitation. They learn little on their wanderings beyond how to cadge, how to steal, how to avoid dogs and the police. They are not pilgrims but outlaws, and many would be highway robbers had they the vitality and the pluck necessary to hold up wayfarers. Most of them are but poor walkers, so that the word tramp is often misapplied to them.
The tramp is a friend of society; he is a seeker, he pays his way if he can. One includes in the category “tramp” all true Bohemians, pilgrims, explorers afoot, walking tourists, and the like. Tramping is a way of approach, to Nature, to your fellowman, to a nation, to a foreign nation, to beauty, to life itself. And it is an art, because you do not get into the spirit of it directly you leave your back door and make for the distant hill. There is much to learn, there are illusions to be overcome. There are prejudices and habits to be shaken off.
First of all there is the physical side: you need to study equipment, care of health, how to sleep out of doors, what to eat, how to cook on the camp fire. These things you teach yourself. For the rest Nature becomes your teacher, and from her you will learn what is beautiful and who you are and what is your special quest in life and whither you should go. You relax in the presence of the great healer and teacher, you turn your back on civilization and most of what you learned in schools, museums, theaters, galleries. You live on manna vouchsafed to you daily, miraculously. You stretch out arms for hidden gifts, you yearn toward the moonbeams and the stars, you listen with new ears to bird’s song and the murmurs of trees and streams. If ever you were proud or quarrelsome or restless, the inflammation goes down, fanned by the coolness of humility and simplicity. From day to day you keep your log, your daybook of the soul, and you may think at first that it is a mere record of travel and of facts; but something else will be entering into it, poetry, the new poetry of your life, and it will be evident to a seeing eye that you are gradually becoming an artist in life, you are learning the gentle art of tramping, and it is giving you an artist’s joy in creation.
CHAPTER TWO
BOOTS
BOOTS and the Man I sing! For you cannot tramp without boots. The commonest distress of hoboes is thinness of sole.