On the other hand the rich, the owners of large plantations, remained in many cases still virulent.

“I know Sherman is in hell,” said a Mr. R—— of historic family. “When my mother lay sick in bed the soldiers came and set fire to our cotton gin and all our barns. They came upon us like a tribe of Indians and burst into every room, ransacking the place for jewelry and valuable property. I was a small boy at the time, but I shall never forget it. They took the bungs from all our barrels and let the syrup run to waste in the yard because they themselves wanted no more of it. They killed our hogs and our cows before our eyes and threw the meat to the niggers. Yes, sir. A year or so back Sherman’s son said he was going to make a tour along the way his daddy had gone—to see what a wonderful thing his daddy had done. Lucky for him he changed his mind. We’d a strung him to a pole, sure——”

Such sharp feeling was, however, certainly exceptional. Near Eatonton was a Mr. Lynch of Lynchburg, storekeeper, postmaster, wheelwright, and blacksmith all in one. He averred that they were “hugging and kissing the Yankees now, just as they would be hugging and kissing the Germans in a few years.”

“There’s mean fellows on every side,” said he. “You don’t tell me that there’s no mean fellows among the English, the French, and the Italians. I don’t believe all the stories about the Germans. I remember what they used to say about the Yankees. They get mighty mad with me when I tell ‘em, but there’s plenty of mean fellows on both sides.”

The village was named after the old man’s grandfather—an Irish settler. It is just beside the old Eatonton factory which Sherman burned down. At the next turn in the road there is a roaring as of many waters. A screen of pine and rank grass undergrowth hides an impressive sight. A step inward takes you to the romantic stone foundation of the old factory; you can climb up on one of the pillars and look out. The interior of the factory is all young trees and moss and tangles of evergreen, but beyond it rushes a mighty stream over a partially dammed broad course, red as blood, but wallowing forward in creamy billows and white foam.

The factory was used to weave coarse cotton cloth, and had evidently been worked by water power. Quite forgotten now, unvisited, it was yet a picturesque memorial of the march, and I was surprised to see no names of visitors scrawled on the walls of its massive old foundations.

I walked into Eatonton by a long and picturesque wooden bridge over the crimson river, a strange and wonderful structure completely roofed, and shady as a tunnel. The evening sun blazed on the old wood and on the red tide and on the greenery beyond, making the scene look like a colored illustration of a child’s tale.

Eatonton, where Brer Rabbit and Brer Fox were actually born, is now a hustling “city” with bales of cotton fluff higglety-pigglety down its streets, and again beautiful bales of extra quality in the windows of its cotton brokers. There are also modern mills where cotton is being spun. The business men on the streets talk of “spots” and “futures”—spot cotton being apparently that which you have on the spot and can sell now, and futures being crops yet to be picked, which, presuming on kind Providence, may be sold and re-sold many times before being grown. What is said of Eatonton may be said of Milledgeville, twenty miles further on. It is a cotton town. It is a gracious seat as well, with a scent of history about its old buildings, but it impresses one as a great cotton center. The streets of Milledgeville were almost blocked with cotton bales. It would have been easy to fight a battle of barricades there. The principal church looked as if it were fortified with cotton bales, and it would have been possible to walk fifty or a hundred yards stepping on the tops of the bales. Bales were on the tidy lawns of shady villas or stacked on the verandas, and everywhere the hard-working gins were roaring and grinding as they tore out the cottonseed from the white fluff and left cotton that could be spun. Wisps of cotton lint blew about all over the streets, and cotton was entangled in dogs’ fur and children’s hair. In the porches of Negro cabins it was heaped high till the entrance to the doorway itself was blocked.