⸺ IRISH EXCURSION, THE; or, I Fear to Tell You. Four Vols. Pp. 1205. (Dublin: Lane). 1801.
How Mrs. M’Gralahan and family came to London and what they heard and saw and did there. The Irish are represented as dishonest, extravagant, and many other things, but all this and more is to be remedied by the great panacea—the Union—and the last of the four volumes closes with, “Bless the Beloved Monarch of the Union.” Full of political discussions and of lectures delivered to Ireland. What the Author “fears to tell” us is not clear.
⸺ IRISH FAIRY TALES. Illustrated by Geoffry Strahan. (Gibbings). 2s. 6d.
A neat little volume, prettily illustrated, suitable as a present for children.
⸺ IRISH FIRESIDE STORIES, TALES AND LEGENDS. Pp. 400. (N. Y.: Kenedy). 63 cents. net. Illustr. 1910.
“It brings out very well the true Irish wit, for which that race is famous.”—(Publ.).
⸺ IRISH GIRL, THE: a Religious Tale. Pp. 102. (London: Walker). One engraving by Parris. 1814. Second ed. same year.
By the Author of “Coelebs Married.” The girl begins life in a mud hut in the filthiest and most disgusting conditions. She is found in a barn and taken in by kindly English people, and after a little management becomes a Protestant at the age of fourteen, and indeed quite a theologian in her way. A visit to a church in Cork and to Ardman, near Youghal, where the dust of St. Dillon is sold by the bushel for miracle purposes, completes her conversion. The book is full of the vilest slanders against the Catholic Church. The Irish are represented as murderers and savages driven on by their priests.
⸺ IRISH GUARDIAN, THE: a Pathetic Story; by “A Lady.” Two Vols. (Dublin). 1776.
Told in a series of letters to Miss Julia Nesbitt, Dublin, from Sophia Nesbitt, of “Brandon Castle,” in Co. Antrim, and from Sabina Bruce, of “Edenvale,” Co. Antrim. The two Miss Nesbitts fall in love, and the course of their love affairs forms the chief subject of the letters. These are dated 1771. There is some vague description of Irish places, but feminine matters, chiefly, absorb the writers. To be found in Marsh’s Library, Dublin.