A love-story. The lovers marry other people not for love. It is only the presence of a child that prevents the heroine from leaving her husband for her lover. There are accordingly curious situations, but nothing positively immoral in the tone. The story is well constructed. Scene: partly in Ireland, partly in England.
⸺ THE THIRD EXPERIMENT. Pp. 300. (Fisher, Unwin). 1904.
The scene is laid amid very low class society in an Irish town. The interest centres in a young girl who is reared on charity, but finally marries a fairly respectable tradesman. The personages of the story seem to be Protestants, but religion is scarcely touched on. The brogue is very thick, but the stage Irishman humour is absent. There is a persistent attempt to study types and characters.
⸺ AMBUSH OF YOUNG DAYS. Pp. vii. + 344. (Duckworth). 1906.
The scene is laid in a temperance hotel. The central character is a young girl, daughter of proprietor, who is given to telling out the truth in a most unnecessary and inconvenient manner. The lodgers come prominently into the story, and the heroine ends by marrying one of them.
⸺ THE STARS BEYOND. Pp. vii. + 375. (Nash). 1907.
A problem novel dealing with an ill-assorted marriage—the wife’s name (symbolic) is “Vérité,” the husband’s “Virtue”; hence the clash. Religion enters largely into the book. Types of Irish Protestant clergy. The writer’s sympathy seems to waver between Catholicism and Protestantism, but the heroine rejects both. The servants’ talk in conventional brogue.
⸺ IMPERIAL RICHENDA. Pp. 313. (Alston Rivers). 6s. 1908.
Scene: a small watering-place near Dublin. A fantastic comedy, somewhat vulgar in places, but on the whole amusing, abounding as it does in bright dialogue, and in absurdly comical situations. Some shrewd strokes of satire are aimed at Dublin Society, and there are piquant sayings on other subjects. The central figure is a young lady who takes a situation as waitress in a small hotel. Her character is so equivocal that the book cannot be recommended for general reading.