"But come," said Mr. Newberry, after he had finished adjusting the gravel with his foot, "there are Mrs. Newberry and the girls on the verandah. Let's go and join them."
A few minutes later Mr. Spillikins was talking with Mrs. Newberry and Dulphemia Rasselyer-Brown, and telling Mrs. Newberry what a beautiful house she had. Beside them stood Philippa Furlong, and she had her arm around Dulphemia's waist; and the picture that they thus made, with their heads close together, Dulphemia's hair being golden and Philippa's chestnut-brown, was such that Mr. Spillikins had no eyes for Mrs. Newberry nor for Castel Casteggio nor for anything. So much so that he practically didn't see at all the little girl in green that stood unobtrusively on the further side of Mrs. Newberry. Indeed, though somebody had murmured her name in introduction, he couldn't have repeated it if asked two minutes afterwards. His eyes and his mind were elsewhere.
But hers were not.
For the Little Girl in Green looked at Mr. Spillikins with wide eyes, and when she looked at him she saw all at once such wonderful things about him as nobody had ever seen before.
For she could see from the poise of his head how awfully clever he was; and from the way he stood with his hands in his side pockets she could see how manly and brave he must be; and of course there was firmness and strength written all over him. In short, she saw as she looked such a Peter Spillikins as truly never existed, or could exist—or at least such a Peter Spillikins as no one else in the world had ever suspected before.
All in a moment she was ever so glad that she accepted Mrs. Newberry's invitation to Castel Casteggio and hadn't been afraid to come. For the Little Girl in Green, whose Christian name was Norah, was only what is called a poor relation of Mrs. Newberry, and her father was a person of no account whatever, who didn't belong to the Mausoleum Club or to any other club, and who lived, with Norah, on a street that nobody who was anybody lived upon. Norah had been asked up a few days before out of the City to give her air—which is the only thing that can be safely and freely given to poor relations. Thus she had arrived at Castel Casteggio with one diminutive trunk, so small and shabby that even the servants who carried it upstairs were ashamed of it. In it were a pair of brand new tennis shoes (at ninety cents reduced to seventy-five) and a white dress of the kind that is called "almost evening," and such few other things as poor relations might bring with fear and trembling to join in the simple rusticity of the rich.
Thus stood Norah looking at Mr. Spillikins.
As for him, such is the contrariety of human things, he had no eyes for her at all.
"What a perfectly charming house this is," Mr. Spillikins was saying. He always said this on such occasions, but it seemed to the Little Girl in Green that he spoke with wonderful social ease.